If you’ve ever explored your grandparents’ house, you’ve probably found some strange items that left you puzzled.
Recently, someone online shared a photo of some metal tools that, if it weren’t for the nut-shaped bowl they’re in, could be mistaken for tiny weapons.
People online quickly started guessing what these odd tools were for, with one person even joking that they might be used to “find cavities.” Curious to know more about this mysterious tool? Keep reading!
Most of us have heard of a nutcracker—not the ballet with the Sugar Plum Fairy, but the metal tool used to crack open nuts.
A nutcracker looks like pliers and usually has two metal arms with a hinge at the top. The arms are often serrated to grip the nut better. You place the nut in the jaws of the nutcracker, squeeze the arms together, and the shell cracks open, revealing the nut inside.
Nutcrackers come in all sorts of designs and sizes, from simple handheld ones to fancy, decorative pieces.
Some are made for specific types of nuts, while others can handle a variety of nuts and even shellfish like lobster or crab.
Getting the nut out of its hard shell isn’t always easy. After cracking the shell, you still have to deal with the meat sticking to the tough walls inside.
That’s where a nut pick comes in, which is the tool that’s confusing people online.
Nut picks come in different styles and materials, like metal, wood, or plastic. Some even have fancy handles or are designed to be comfortable to use.
They’re useful for enjoying all kinds of nuts, such as walnuts, pecans, and almonds, where you need to get the edible part out of the shell.
People online have been sharing their experiences with these versatile tools.
One person remembered the hard work of cracking nuts in the past, saying, “We used them for walnuts. Back then, you didn’t buy pre-cracked walnuts for baking; you had to crack them open yourself.”
Another user shared, “We used them for walnuts, pecans, and more. They came with the nutcracker and were also great for getting lobster out of those tiny legs.”
Someone else mentioned, “They’re crab and lobster meat picks. I’m lucky to still have my family’s set. Growing up near Maine, we had lots of chances to use them!”
Another person added that she’s found multiple uses for the pick, saying, “I’ve used them for their intended purpose, but as an artist, I’ve also found other ways to use them.”
Others had different ideas. One user said, “They’re called olive picks, but you can use them for other things, so your hands don’t touch the food.” Another joked, “Mostly used to pick your teeth after a big dinner… also handy for finding cavities!”
What are your favorite memories of using nutcrackers and picks?
Share your thoughts in the comments and spread the word so we can hear from others too!
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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