Homelessness is a problem that many cities face around the world. Even though governments and organizations are trying to fix it, it’s still a big issue. One Canadian millionaire decided to make a difference in his own town with his money. Here’s his story.
In Fredericton, New Brunswick, Marcel LeBrun, a millionaire entrepreneur, took action to help homeless people in his community. Marcel, who made a lot of money from his successful social media monitoring company, decided to invest $4 million of his own money to build 99 tiny homes for those in need. He didn’t just stop at providing homes; he also created job opportunities with his unique approach. This project is called 12 Neighbours.
After selling his company and gaining a lot of wealth, Marcel wanted to use his money for good. Seeing the homelessness issue in Fredericton, he came up with the idea of a tiny home community to give homeless people a new start. He named his project 12 Neighbours and aimed to build a gated community with 99 homes and an enterprise center. This community offers both housing and job opportunities, giving homeless people a chance to rebuild their lives.
Homelessness is a big issue in New Brunswick, with about 1,600 people experiencing it in a single day last year. In bigger cities like San Francisco, Los Angeles, and New York in the United States, the number of homeless people is much higher. Marcel LeBrun saw a chance to make a difference and decided to help those struggling with homelessness.
Marcel’s project, 12 Neighbours, is not just about building tiny homes. He wants to create a supportive community for people. The tiny homes he’s building are more than just places to stay. They are fully-furnished with kitchens, living areas, bedrooms, and full bathrooms. They even have solar panels on the roofs. Marcel sees himself as a community builder, aiming to provide a better life for those in need.
To make his vision a reality, Marcel LeBrun set up a factory where skilled volunteers help build the tiny homes. Using modern techniques, the factory can produce one tiny home every four business days. Once a home is built, it is carefully placed on concrete blocks to form the foundation of the community.
Marcel believes that owning a home is important because it gives people a sense of responsibility and stability. By allowing people who have experienced homelessness to own their own homes, the 12 Neighbours project aims to empower them and create a supportive community.
Besides providing homes, Marcel LeBrun’s project also focuses on creating job opportunities for the residents. The 12 Neighbours community includes an enterprise center with a coffee bar and a silk printing business, both run by the residents. This helps generate income and encourages residents to interact with the wider community.
Like any big project, 12 Neighbours has faced criticism. Some people think it’s better to reintegrate homeless individuals directly into society rather than keeping them together in one place. However, Marcel understands these concerns and has taken steps to ensure the community is safe and supportive.
Marcel explained, “Building a few homes is just as complicated as building many, and we wanted to make a real impact on homelessness in Fredericton. If we want to make a meaningful difference, we need to build houses. If I take someone who’s been living outside and put them in a luxury apartment, they might not succeed because it’s not their community or environment.”
Marcel LeBrun knows how important safety is, so he has included top security features in the 12 Neighbours community. There are gated entrances and advanced surveillance systems to ensure residents feel safe and protected.
LeBrun mentioned that some residents face challenges when they first move in. He explained, “When someone moves into a house, they might have others trying to take advantage of them. They need to learn what it means to manage their own space and decide who they let in and out.”
One of the main goals of 12 Neighbours is to build a strong sense of community both inside and outside its gates. LeBrun wants to create a place where residents and the people of Fredericton can come together. The community has a coffee bar and a personalized printing business to encourage interaction and understanding.
LeBrun told CBC, “I see myself as a community builder. We’re not just building a small community; we’re helping to make our city better.”
Marcel LeBrun’s project to build 99 tiny homes in Fredericton, New Brunswick, is a great example of using personal success to help others. Through 12 Neighbours, he has not only provided homes for those in need but also created job opportunities and a supportive community. His efforts have given hope to many and inspired others to make a difference.
I Opened a Mysterious Door in My Cellar—Now I Regret Everything
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
In the back corner, we found something even stranger: an old wooden chest, covered in dust and cobwebs. It was locked, but the lock seemed weak, like it could easily break. Florence begged me to leave it alone, but I was too curious. I forced it open, and what I saw made my heart race.
Inside were old documents, letters written in a language I didn’t understand, and something wrapped in a faded cloth. When I unwrapped it, I froze. It was a small, strange object that didn’t belong in this world. Florence screamed and ran out of the cellar, terrified.
I should have followed her, but I was too deep into it. I put everything back in the chest and closed the door, but the feeling that something had changed wouldn’t leave me. Since that day, things have been different. Strange noises, cold drafts, and shadows moving where they shouldn’t.
Now, I regret opening that door. Florence refuses to go back into the cellar, and I can’t sleep at night. I don’t know what we uncovered, but I fear we’ve let something into our home that we can’t control. Every day, I wish I had just left the door hidden behind the wallpaper, where it belonged.
Now, the cellar remains locked. I’ve sealed the door with heavy boards, hoping that will keep whatever we disturbed at bay. Florence refuses to go near it, and our once happy home feels suffocating with the tension between us. It’s like the house itself has changed, like it’s watching us.
At night, I hear whispers coming from the floor below. I try to convince myself it’s just the wind or my imagination, but deep down, I know something’s wrong. The object I found in the chest haunts my thoughts—I’ve hidden it away, but it’s like it calls to me. Florence says I need to get rid of it, but I’m too afraid to touch it again.
I tried contacting the previous owners, but they didn’t know anything about the hidden room. They had lived here briefly before selling the house. No one in the neighborhood seems to know its history, and records of the house are vague. It’s like this part of the house was meant to stay forgotten.
I keep telling myself everything will be fine if I just leave it alone, but the strange occurrences are getting worse. Lights flicker, doors creak open on their own, and sometimes, I catch glimpses of something moving in the dark corners. It feels like the house is alive—angry that we disturbed its secret.
Florence is talking about moving, and maybe she’s right. But part of me knows that whatever we let out, whatever we disturbed, might not stay behind. And now, I wonder if sealing that door was just the beginning of something far more terrifying.
I never should have opened that door.
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