Céline Dion made a stunning comeback at the Paris Olympic Games, wowing the crowd with a grand performance.
She closed the ceremony on Friday with a heartfelt version of Edith Piaf’s classic song, “L’Hymne à l’amour,” singing from the first stage of the Eiffel Tower.
Dion was in great shape, her powerful voice hitting every high note perfectly. She looked amazing in a beautiful beaded white gown with tassels, adding to the event’s grandeur.
After her performance, Kelly Clarkson, who was commentating for NBC, was initially speechless. She then called Dion “a vocal athlete” in admiration.
This live performance is Céline Dion’s first concert since she revealed her struggle with stiff person syndrome. This rare condition affects the nervous system, specifically the brain and spinal cord, and is progressive.
In December 2022, Dion, now 56, announced she was stepping back from her career to focus on her health. She explained that the syndrome made it difficult for her to sing like she used to.
Dion’s last live performance was in March 2020 in New Jersey. At the Olympics opening, Lady Gaga also performed a tribute to France’s famous Music Hall star from the 1950s, Zizi Jeanmaire, by singing “Mon truc en plume” along the Seine river.
Last month, Dion opened up about the challenges she faces living with stiff person syndrome while promoting her new documentary ‘I Am: Celine Dion’ on Amazon.
In an interview with NBC’s Hoda Kotb, she described how trying to sing with her condition feels “like somebody is strangling you.” She elaborated on the impact of the syndrome, which causes involuntary spasms and muscle rigidity, affecting various parts of her body, including her abdomen, spine, and ribs.
“I have broken ribs at one point because sometimes when it’s very severe, it can break some ribs as well,” the Grammy-winner shared. Despite these challenges, Dion has not allowed her diagnosis to completely sideline her. She made a notable appearance at the Grammy Awards earlier this year, presenting the final trophy of the evening.
In her documentary, Dion expressed her unwavering determination to return to performing. “If I can’t run, I’ll walk. If I can’t walk, I’ll crawl,” she said. “And I won’t stop. I won’t stop.”
Her return at the Olympics not only marked a significant moment in her career but also showcased her resilience and dedication to her craft, inspiring fans and fellow performers alike.
Miss Italy Pageant Holds Ground Against Woke Pressure, Remains “Only Women Since Birth”
Like Miss America, Miss Italy has made the audacious decision to honor tradition by announcing that only biological women would be permitted to vie for the esteemed title. The event’s creator, Patrizia Mirigliani, resolutely declared that Miss Italy will preserve the essence of authentic womanhood in the competition and refuse to jump on the flashy bandwagon of trans activism.
Recent Miss Netherlands pageant events, in which a biological male winner emerged victorious, have provoked intense discussions and outcries of transphobia from numerous quarters. Miss Italy, however, is unwavering in its determination to uphold the competition’s integrity and honor the natural beauty of women who identify as female.
Mirigliani gave a clear response to the issue when she said, “I think it’s a bit ridiculous that beauty contests have been trying to make the news lately.” However, Miss Italy will not sacrifice its morals in the name of political correctness. Participation is restricted to biological women; individuals who do not identify as such are not permitted.
Miss Italy has welcomed applicants with tattoos, piercings, and hair weaves as a way to accommodate changing social norms throughout the years. But the pageant crosses the line when it comes to redefining what it means to be a woman.
“Since its inception, our competition has upheld that participants must be women from birth,” Mirigliani added. This choice is a reflection of our awareness that beauty may change and that we must stick to our essential principles. We will not compromise on what it means to be a woman, but we will celebrate individuality and expression.
Rikkie Valerie Kolle, the transgender winner of the Miss Netherlands contest, talked about her experience and path toward empowerment. Although Miss Italy’s victory demonstrates her personal development, her unwavering choice pays homage to the pageant’s heritage of showcasing female beauty and its history.
Their conviction has not wavered in the face of the controversy regarding Miss Italy’s position. They remain steadfast in the face of opposition and criticism, refusing to yield to contemporary narratives that seek to conflate the distinctions between the biological sexes.
Conservatives everywhere are praising Miss Italy for her choice to honor custom and stress the value of honoring women who have encountered particular difficulties and experiences. Many people view the pageant as a timeless institution, thus it is admirable that Miss Italy is committed to maintaining its historical roots.
Even though the world is changing quickly, Miss Italy is still a steadfast champion of femininity who presents women’s beauty in its purest form. As the tournament go forward, it sends a strong message to aspirant women everywhere, encouraging them to embrace their individuality and inherent beauty instead of letting attempts to redefine womanhood get in the way.
In a culture where limits are being pushed, Miss Italy’s choice shows that customs don’t have to be given up in order to welcome change. They continue to provide an enticing platform where women may shine, inspire, and make a lasting impression by being true to their ideals.
The Miss Italy pageant is an institution that celebrates femininity, honors history, and highlights the strength of being a woman, not merely a competition. Miss Italy remains steadfast and unwavering in its dedication to womanhood and encouraging future generations of women as the journey progresses and new tales are recorded.
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