As I made my way home after a long day at work, my mind was heavy with stress. Suddenly, a loud, angry shout broke through the usual noise of the city. In a nearby park, I saw a man shouting at his wife, who was crying. The scene was disturbing, and I felt a surge of anger. I had to intervene.
It had been one of those overwhelming days, filled with looming deadlines and my boss’s constant demands. All I wanted was to get home to my family and escape the stress. I envisioned my wife’s delicious cooking and the joyful laughter of my kids playing outside, but that was overshadowed by guilt about bringing work home.
As I approached the park, I heard the man hurl insults at his wife. She stood with her head down, clearly terrified and shaking. My heart ached for her. I couldn’t believe someone would treat their partner this way, especially in public. Just as I got closer, the man angrily knocked her purse to the ground, sending its contents everywhere while she stood there in tears.
The usual crowd of people walked by, casting disapproving glances but doing nothing to help. It was frustrating to see so many ignore the situation. When the man yelled at her to look at him, I felt my blood boil. I could no longer stand by.
I decided to call 911 but realized I needed to do more. Switching to my camera, I began recording. I captured the moment he pushed her and shouted terrible things. I moved closer to ensure I got a clear shot of both their faces. Then, I shouted at him, trying to distract him.
He turned his rage toward me, and I stood my ground, reminding him that his behavior couldn’t go unchecked. My intervention caught the attention of others, and soon, more people began recording. The man realized he was no longer alone and started to lose his bravado.
He attempted to dismiss the crowd but quickly retreated, humiliated. I rushed over to the woman and asked if she was okay. She looked up at me, tears of relief in her eyes, grateful for the support
As more people gathered, one kind woman, who happened to be a lawyer, offered her card in case the man caused any more trouble. The woman thanked her, clearly feeling hopeful for the first time. She told me she had already called the police and wanted to stay until everything was resolved.
Later that evening, as I settled at home, I felt both exhausted and exhilarated. I uploaded the video online, hoping it would encourage others to take action against abuse. The response was incredible. Within hours, it went viral, sparking conversations about domestic violence and the importance of standing up for those in need.
A few days later, I received a message from the woman I had helped. She had found the strength to leave her husband and was staying with friends. She thanked me for my intervention and mentioned seeking legal action with the help of the lawyer.
Feeling a deep sense of accomplishment, I reflected on the whole experience. My actions had not only helped one woman but also reminded everyone present of their ability to make a difference. When I shared the story with my family, they expressed admiration, and my wife hugged me tightly, proud of what I had done.
That Tuesday evening became more than just another day; it was a pivotal moment that reinforced the values of courage and compassion I wanted to instill in my children. It reminded me that even small actions can have a lasting impact on someone’s life, inspiring them to stand up for others in need.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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