While performing in Denver, Van Ark met actress Julie Harris while interviewing her for a local newspaper, and the actress persuaded her to study acting and drama at the Yale Drama School.
As a result, Van Ark became the youngest student ever to receive a scholarship to the well-respected school and the second woman ever to enroll. The first woman was Julie Harris, who helped Van Ark into the school.
“She wrote to the dean and asked him to meet me. Long story short, my parents drove me to New Haven, Connecticut, to meet the dean, who gave me a scholarship,” she recalled.” It was meant to be.”
Valene Ewing on ‘Dallas’ and ‘Knots Landing’
Van Ark began her professional career at the Minneapolis Guthrie Theater, where she starred in The Miser by Moliere. After working about a year at the Arena Stage in Washington DC, she moved down to work with the national touring company Barefoot in the Park in 1963, which led to her Broadway debut. In 1971, she was nominated for the Tony Award for Best Featured Actress in a Play after starring in The School for Wives.
At that point, Joan Van Ark had begun working in front of a screen rather than on stage. She appeared on television series including Temperature’s Rising, Spider-Woman, and Days of Our Lives and even in one episode of Bonanza.
Even though Joan Van Ark wasn’t short of jobs, she was still looking for her significant breakthrough role as the 1980s approached. In 1978, she made several appearances as Valene Ewing on Dallas – which led her to the role of a lifetime.
Knots Landing – a spinoff of Dallas – premiered in 1979, and Joan Van Ark reprised her role as Valene Ewing. She starred in 327 episodes – acting alongside Michele Lee as Karen and Ted Schakleford as Gary – and became a massive star.
Even though it was a spinoff of Dallas – about the rotten but wealthy Ewing Clan – it was initially brought to CBS years before.
However, the network wanted a “big rich family” show, and Dallas got picked as the one. But later on, Knots Landing became a massive success as the studio realized how big of a show Dallas had grown into, and after only one season, it rose into the top 20 in TV ratings.
How Joan Van Ark almost missed out on her biggest role
Knots Landing became the story of Gary Ewing and his wife Valene – played by Van Ark – and how they decided to start a new life in Knots Landing.
However, Van Ark almost missed out on the part of Valene Ewing. She explained that she had a “three-way clash” where she did The Love Boat simultaneously, as well as a commercial in New York.
In the end, it was her husband – John Marshall, who we will come back to in a minute – that persuaded her into choosing Dallas. And it was a significant – and important – decision.
“I got the call asking me to do a guest appearance in this show called Dallas, which was attracting a lot of buzz, but I said to my husband, ‘John, why should I even read this script? I can’t be in three places at once,’” she told Express. “Then he read it and said, ‘No, you’ve got to do it. It looks wonderful.’”
“So basically, he talked me into a schedule that had me in LA one day, then flying to Dallas for two days, followed by two days in New York and then back to Texas. But looking at this old cast photo from Knots Landing – the spinoff from Dallas – I’m so glad I listened to him,” she added.
Dallas and Knots Landing became a 15-year commitment for Van Ark, who became identified by her role. As earlier mentioned, she and Julie Harris had quite a history – and in 1980, they met again
“I could stay forever on the show and be safe”
Harris was cast in Knots Landing as the mother of Van Arks’ character, and for the actress, it was almost too good to be true.
“When the producers told me they had finally last someone to play my mother, I held my breath,” she recalled in a 1984 interview with Florida Today.
“I thought, ‘Oh my God, are they going to say Phyllis Diller or Zsa Zsa Gabor, or who?’ Then they said it was Julie Harris, and I went right through the roof. I couldn’t believe they had picked her to be my mother. They didn’t even know we were friends.”
Joan Van Ark stayed for 13 seasons and 327 episodes on the show. Then in 1993, just one season after she left, Knots Landing was canceled. But the reason for Joan leaving wasn’t that she didn’t like it. Instead, it was all about her trying on new challenges.“I could stay forever on the show and be safe,” Van Ark told the Los Angeles Times in 1992.
“But three years ago, I did Night of the Iguana in Williamstown (Mass.), and I had a quote from Tennessee Williams taped on my mirror, taken from an essay he’d written on success. It said, and I’m paraphrasing here: ‘Security is in the shape of a kidney-shaped pool in Los Angeles, where you sit waiting for your residual checks.’ I was in a comfortable spot on Knots, and an artist should not be comfortable.”
At the same time, the television series became a huge part of Van Ark’s life. So even though she felt comfortable leaving, it was a tough blow since she thought it would be easier.
Blamed herself for ‘Knots Landing’ cancelation
“I have loved more than life the 13 years I’ve had on that show,” she said. “[Knots Landing creator] David Jacobs is a great influence on my life, has taught me so much about so many things. Ted [Shackelford] is the other half of every breath I take on the show, and personally, he’s a large part of my heart. The people are my family–we have shared marriages, deaths, divorces. It’s far more difficult to leave than I thought.”
The show didn’t quite work without the great chemistry between characters Valen and Gary. In fact, Joan took the blame for the show being shut down.
“Well, it was my fault. I jumped over to NBC to do a pilot which did not sell,” she said. “I was so ready to go, after fourteen years with the one lady, so I auditioned for the pilot, and they cast me. It wasn’t as cleanly negotiated as it should have been. When the pilot didn’t sell, they asked me back, and I did do the four-hour finale of the show.”
Joan Van Ark left the soap opera business behind but continued to star in many television series. She had minor parts in television series, including Fresh Prince of Bel-Air, and starred in some television movies. Between 2004 and 2005, Joan appeared as Gloria Fisher in 55 episodes of the hugely successful television drama The Young and The Restless.Joan Van Ark – marriage, husband, children
It’s common for celebrities in Hollywood to marry other celebrities, and show-biz marriages don’t always last very long.
But that wasn’t the case for Joan Van Ark, who met the love of her life back in high school. She met her husband, John Marshall, while the two were students in Boulder. In 1966, the couple married on a military base in Germany.
“Believe me, it was nothing like the marriages [Valene Ewing] has gone through,” she told UPI.
In 1969, they welcomed daughter Vanessa Marshall, who also chose a career in entertainment. She became a well-known voice-over artist and actually gave up on her on-camera acting career. Instead, Vanessa Marshall has lent her voice to animated films, television series, and several video games.
John Marshall went on to become an Emmy newsman, working on KNBC-TV and NBC. He’s had a flourishing career just as his wife Joan, and while the couple was working hard to make it in their respective fields, Vanessa was growing up.
For Van Ark, becoming a mother while trying to navigate through the business was tough. And she gives credit to her husband, John, for keeping the family together during those stressful years.
“He is the reason we have the most wonderful daughter in the world and that the marriage has stayed strong,” Van Ark told The Leader-Post in 1988. “I feel I am the committed person who can’t give up time for this or that.”
“He did not want to miss watching Venessa grow up, and he did not want to miss me,” she added. “He knows correspondents live out of suitcases. John made career choices I didn’t agree with because if it had been me, I would have packed my bags, and I would have been waiving at the airport.”Joan Van Ark – net worth
Besides her acting job, Joan Van Ark has a great interest in running. The 78-year-old has completed several marathons and explained she’s running instead of going to a psychologist. However, when it comes to her husband, she stated that she would never go on a run with him.
Why? Because “it’s the quickest way to a divorce that I know of. You’re always criticizing the other’s style,” Joan said.
In the last decade, Joan Van Ark has continued to work on stage in several productions for theater and starring in television series and movies such as Watercolor Postcards and Psycho Wedding Crasher. But she will always be most remembered for her magnificent spell on Dallas and Knots Landing.
According to Celebrity Net Worth, Joan Van Ark has a net worth of around $10 million.
I Returned Home from Work to Find My Adopted Twin Daughters, 16, Had Changed the Locks and Kicked Me Out
Thirteen years ago, I adopted my late husband’s secret twin daughters after his fatal car crash revealed his double life. I gave them everything, but at sixteen, they locked me out of my home. One week later, I discovered the shocking reason for their actions.
The morning Andrew died began like any other. The sun had just started peeking through my window, painting everything in a soft, golden light that made even my shabby countertops look almost magical.
It was the last normal moment I’d have for a long, long time.
A woman in her kitchen | Source: Midjourney
When the phone rang, I almost didn’t answer it. Who calls at 7:30 in the morning? But something, intuition maybe, made me pick up.
“Is this Ruth?” A man’s voice, formal, hesitant.
“Speaking.” I took another sip of coffee, still watching the steam dance.
“Ma’am, I’m Officer Matthews with the Police Department. I’m sorry to inform you, but your husband was in an accident this morning. He didn’t survive.”
A shocked woman on a phone call | Source: Midjourney
The mug slipped from my hand, shattering against the linoleum. Coffee splashed across my bare feet, but I barely felt it. “What? No, that’s… no… not my Andrew!”
“Ma’am…” The officer’s voice softened. “There’s more you need to know. There was another woman in the car who also died… and two surviving daughters. Records in our database confirm they’re Andrew’s children.”
I slid down the kitchen cabinet until I hit the floor, barely registering the coffee soaking into my robe.
A woman collapsed in shock | Source: Midjourney
The room spun around me as ten years of marriage shattered like my coffee mug. “Children?”
“Twin girls, ma’am. They’re three years old.”
Three years old. Three years of lies, of business trips and late meetings. Three years of another family living parallel to mine, just out of sight. The jerk had been living a whole other life while I’d been suffering through infertility treatments and the heartache of two miscarriages.
Close up of a shocked woman’s face | Source: Midjourney
“Ma’am? Are you still there?”
“Yes,” I whispered, though I wasn’t sure I was. Not really. “What… what happens to them now?”
“Their mother had no living relatives. They’re currently in emergency foster care until—”
I hung up. I couldn’t bear to hear more.
A cell phone | Source: Pexels
The funeral was a blur of black clothes and pitying looks. I stood there like a statue, accepting condolences from people who didn’t know whether to treat me like a grieving widow or a scorned woman.
But then I saw those two tiny figures in matching black dresses, holding hands so tightly their knuckles were white. My husband’s secret daughters.
One had her thumb in her mouth. The other was picking at the hem of her dress. They looked so lost and alone. Despite the hurt of Andrew’s betrayal, my heart went out to them.
Twin three-year-old girls | Source: Midjourney
“Those poor things,” my mother whispered beside me. “Their foster family couldn’t make it today. Can you imagine? No one here for them except the social worker.”
I watched as one twin stumbled, and her sister caught her automatically like they were two parts of the same person. Something in my chest cracked open.
“I’ll take them,” I heard myself say.
Mom turned to me, shocked.
A shocked woman | Source: Midjourney
“Ruth, honey, you can’t be serious. After what he did?”
“Look at them, Mom. They’re innocent in all this and they’re alone.”
“But—”
“I couldn’t have my own children. Maybe… maybe this is why.”
The adoption process was a nightmare of paperwork and questioning looks.
A woman and a man going through paperwork in an office | Source: Pexels
Why would I want my cheating husband’s secret children? Was I mentally stable enough? Was this some form of revenge?
But I kept fighting, and eventually, Carrie and Dana became mine.
Those first years were a dance of healing and hurting. The girls were sweet but wary as if waiting for me to change my mind. I’d catch them whispering to each other late at night, making plans for “when she sends us away.”
It broke my heart every time.
A woman standing outside a bedroom door | Source: Midjourney
“We’re having mac and cheese again?” seven-year-old Dana asked one night, her nose wrinkled.
“It’s what we can afford this week, sweetie,” I said, trying to keep my voice light. “But look — I put extra cheese on yours, just how you like it.”
Carrie, always the more sensitive one, must have heard something in my voice. She elbowed her sister.
“Mac and cheese is my favorite,” she announced, though I knew it wasn’t.
A bowl of macaroni and cheese | Source: Pexels
By the time they turned ten, I knew I had to tell them the truth. The whole truth.
I’d practiced the words a hundred times in front of my bathroom mirror, but sitting there on my bed, watching their innocent faces, I felt like I might throw up.
“Girls,” I started, my hands trembling. “There’s something about your father and how you came to be my daughters that you need to know.”
They sat cross-legged on my faded quilt, mirror images of attention.
Twin ten-year-old girls sitting on a bed | Source: Midjourney
I told them everything about Andrew’s double life, their birth mother, and that terrible morning I got the call. I told them how my heart broke when I saw them at the funeral and how I knew then that we were meant to be together.
The silence that followed felt endless. Dana’s face had gone pale, her freckles standing out like dots of paint. Carrie’s lower lip trembled.
“So… so Dad was a liar?” Dana’s voice cracked. “He was cheating on you?”
A shocked girl | Source: Midjourney
“And our real mom…” Carrie wrapped her arms around herself. “She died because of him?”
“It was an accident, sweetheart. A terrible accident.”
“But you…” Dana’s eyes narrowed, something hard and horrible creeping into her young face. “You just took us? Like… like some kind of consolation prize?”
A frowning girl | Source: Midjourney
“No! I took you because—”
“Because you felt sorry for us?” Carrie interrupted, tears streaming now. “Because you couldn’t have your own kids?”
“I took you because I loved you the moment I saw you,” I reached for them, but they both flinched back. “You weren’t a consolation prize. You were a gift.”
A woman explaining herself | Source: Midjourney
“Liar!” Dana spat, jumping off the bed. “Everyone’s a liar! Come on, Carrie!”
They ran to their room and slammed the door. I heard the lock click, followed by muffled sobs and furious whispers.
The next few years were a minefield. Sometimes we’d have good days when we went on shopping trips or cuddled together on the sofa for movie nights. But whenever they got angry, the knives came out.
A teen girl shouting in her bedroom doorway | Source: Midjourney
“At least our real mom wanted us from the start!”
“Maybe she’d still be alive if it wasn’t for you!”
Each barb found its mark with surgical precision. But they were entering their teens, so I weathered their storms, hoping they’d understand someday.
Then came that awful day shortly after the girls turned sixteen.
A woman glancing over her shoulder | Source: Midjourney
I came home from work and my key wouldn’t turn in the lock. Then I spotted the note taped to the door.
“We’re adults now. We need our own space. Go and live with your mom!” it read.
My suitcase sat by the door like a coffin for all my hopes. Inside, I could hear movement, but no one answered my calls or pounding. I stood there for an hour before climbing back into my car.
A woman in her car | Source: Midjourney
At Mom’s house, I paced like a caged animal.
“They’re acting out,” she said, watching me wear a path in her carpet. “Testing your love.”
“What if it’s more than that?” I stared at my silent phone. “What if they’ve finally decided I’m not worth it? That I’m just the woman who took them in out of pity?”
“Ruth, you stop that right now.” Mom grabbed my shoulders.
A stern woman | Source: Midjourney
“You’ve been their mother in every way that matters for thirteen years. They’re hurting, yes. They’re angry about things neither of you can change. But they love you.”
“How can you be sure?”
“Because they’re acting exactly like you did at sixteen.” She smiled sadly. “Remember when you ran away to Aunt Sarah’s?”
I did. I’d been so angry about… what was it? Something trivial. I’d lasted three days before homesickness drove me back.
A worried woman | Source: Midjourney
Five more days crawled by.
I called in sick to work. I barely ate. Every time my phone buzzed, I lunged for it, only to be disappointed by another spam call or a text from a concerned friend.
Then, finally, on the seventh day, I got the call I’d longed for.
“Mom?” Carrie’s voice was small and soft, like when she used to crawl into my bed during thunderstorms. “Can you come home? Please?”
A woman on a phone call | Source: Midjourney
I drove back with my heart in my throat.
The last thing I expected when I rushed through the front door was to find my house transformed. Fresh paint coated the walls, and the floors gleamed.
“Surprise!” The girls appeared from the kitchen, grinning like they used to when they were little.
“We’ve been planning this for months,” Dana explained, bouncing on her toes. “Working at the mall, babysitting, saving everything.”
A grinning teen girl | Source: Midjourney
“Sorry for the mean note,” Carrie added sheepishly. “It was the only way we could think of to keep it a surprise.”
They led me to what used to be their nursery, now transformed into a beautiful home office. The walls were soft lavender, and there, by the window, hung a photo of the three of us on adoption day, all teary-eyed and smiling.
“You gave us a family, Mom,” Carrie whispered, her eyes wet. “Even though you didn’t have to, even though we were a reminder of everything that hurt. You chose us anyway, and you’ve been the best mom ever.”
An emotional girl holding back tears | Source: Midjourney
I pulled my girls close, breathing in the familiar smell of their shampoo, feeling their hearts beat against mine.
“You two are the best things that have ever happened to me. You gave me a reason to keep going. I love you more than you’ll ever know.”
“But we do know, Mom,” Dana said, her voice muffled against my shoulder. “We’ve always known.”
A woman hugging her daughter | Source: Midjourney
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