Phil Collins, the legendary lead singer and drummer of Genesis, has had a tremendous amount of success in the music business throughout his remarkable career. He is honored to be included in the select group of musicians, including Michael Jackson and Paul McCartney, who have together sold over 100 million records in both solo and group projects. Born in London, England on January 30, 1951, to parents with a passion for the arts, Collins was surrounded by music from a young age.
Collins’s uncle gave him a homemade drum kit when he was five years old. His unique sound would be shaped by this kit, which included miniature drums, triangles, cymbals, and tambourines, and it would also set the path for his musical career.
Collins was enthralled with the burgeoning English beat culture as a child, led by bands like The Shadows. Playing often at parties thrown by his parents’ boating club, he embraced the new and vibrant musical scene that was developing.
Collins was intrigued to the rock and roll genre after being exposed to it. He bought a record player and The Beatles’ “Please Please Me” album when he was fourteen years old. He put his drum set in front of a mirror and turned up the sound so he could practice drumming more. He could participate in this way without having to look away.
Collins was motivated to learn how to read drum sheet music, so he started tutoring students. He was aware of the usefulness of written music for playing in orchestras or dancing bands, but he soon found that playing purely intuitively spoke to him more.
Collins’ life unexpectedly took an unexpected turn in the 1970s when he came across an ad looking for a drummer for the band Genesis. Collins took a chance and contacted them, and they accepted him, ushering in his remarkable musical career.
Collins was essential to Genesis during his tenure, eventually taking over as lead vocalist when other acceptable alternatives failed to materialize. Collins overcame difficulties in adjusting to his dual duty as drummer and vocalist and went on to become one of the best musicians in the business.
Collins had enormous success both as a solo artist and as a member of Genesis. He produced singles that will never be forgotten, including “In The Air Tonight,” “You Can’t Hurry Love,” and “I Don’t Care Anymore.” He chose to pursue other musical endeavors after 25 years with Genesis, concentrating on solo work, film music, and jazz ventures. But he got back together with his old bandmates in 2017 to go on the world tour for Last Domino.
Sadly, the tour had to be postponed because of the epidemic. Concerns regarding Collins’ health surfaced during an interview with BBC Breakfast, just before the tour started. With Collins returning to the vocals and his son Nicholas Collins taking up the drums, the band is optimistic about upcoming shows.
Although Nicholas is a superb drummer, Genesis keyboardist Tony Banks recognizes that he adds a special force to the songs from the early Phil Collins catalog. Phil said, “I’d like to, but I can scarcely grip a stick with this hand,” in response to a question regarding his absence from the drum kit. Collins is adamant about pursuing his musical dreams despite his physical restrictions and is willing to get over any barriers that stand in his way.
The narrator himself, a man our age, spoke openly and with a deep sense of loss about his physical struggles in a recent interview. He thought about how he could never travel with his son or share in his travels. He had to make a tough choice on whether to pursue his musical career further or give it up. It was obvious that either because of physical constraints or deliberate decisions, he would have to give up something that was important to him. He worried a lot about the consequences of missing out on life’s prospects because things were changing so quickly.
Despite everything, Phil Collins continues to be an inspiration, exhibiting fortitude and a strong love of music despite hardship. His story offers as a monument to the strength of pursuing one’s goals in spite of obstacles. We celebrate the lasting impact he has made on the music industry and look forward to his potential future musical efforts as we reflect on his incredible career.
‘Little Miss Dynamite’ blew up the charts when she was only 12: The story of Brenda Lee
Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
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