Thomas Jeffrey Hanks (born July 9, 1956) is an American actor and filmmaker. Known for both his comedic and dramatic roles, he is one of the most popular and recognizable film stars worldwide, and is regarded as an American cultural icon.[2] Hanks’s films have grossed more than $4.9 billion in North America and more than $9.96 billion worldwide,[3]
making him the fourth-highest-grossing actor in North America.[4] Hanks made his breakthrough with leading roles in a series of comedies: Splash (1984), The Money Pit (1986), Big (1988) and A League of Their Own (1992). He won two consecutive Academy Awards for Best Actor, playing a gay lawyer suffering from AIDS in Philadelphia (1993) and the title character in Forrest Gump (1994).[5] Hanks collaborated with Steven Spielberg on five films: Saving Private Ryan (1998), Catch Me If You Can (2002), The Terminal (2004), Bridge of Spies (2015) and The Post (2017), as well as the World War II miniseries Band of Brothers (2001), The Pacific (2010) and Masters of the Air (2024). He has also frequently collaborated with directors Ron Howard, Nora Ephron and Robert Zemeckis.
Hanks’s other films include the romantic comedies Sleepless in Seattle (1993) and You’ve Got Mail (1998); the dramas Apollo 13 (1995), The Green Mile (1999), Cast Away (2000), Road to Perdition (2002) and Cloud Atlas (2012); and the biographical dramas Charlie Wilson’s War (2007), Captain Phillips (2013), Saving Mr. Banks (2013), Sully (2016), A Beautiful Day in the Neighborhood (2019), News of the World (2020) and Elvis (2022). He appeared as the title character in the Robert Langdon series and voiced Sheriff Woody in the Toy Story films (1995–2019). Hanks directed the comedies That Thing You Do! (1996) and Larry Crowne (2011), and acted in both.
MY LATE GRANDMA’S NEIGHBOR ACCUSED ME OF HIDING “HER SHARE OF THE WILL” — WHEN SHE REFUSED TO LEAVE, I GAVE HER A REALITY CHECK.
The morning sun, usually a welcome sight, cast harsh shadows on the woman standing on my porch, her face a mask of indignation. Mrs. Gable, Grandma’s “entitled neighbor,” as she so lovingly referred to her, was a force of nature, and not a particularly pleasant one.
“How long am I supposed to wait for my share of the will?!” she demanded, her voice a grating rasp that could curdle milk. “My grandkids are coming over, and I want them to take their part of the inheritance before they leave!”
I blinked, trying to process the sheer audacity of her statement. “Mrs. Gable,” I said, my voice calm despite the rising tide of annoyance, “Grandma’s will… it doesn’t mention you.”
Her eyes widened, then narrowed into slits. “Nonsense! We were like family! She wouldn’t leave me out.”
“I’m sorry,” I said, “but everything in the house now belongs to me.”
I offered a small concession. “I’ve packed some boxes for donation. You’re welcome to look through them, see if there’s anything you want.”
“Donation boxes?!” she shrieked. “Your grandma was like family to us! We had to be mentioned in the will. Give it to me! I have to see for myself.”
“I can’t do that,” I said, my patience wearing thin. “The will is a legal document.”
She planted her feet, a stubborn look on her face. “Then I’m not leaving. I’ll just stand here until you give me what’s mine.” She proceeded to stand directly in front of my porch, peering into my windows and muttering under her breath.
I sighed. This was getting ridiculous. I needed to give this woman a reality check, a gentle but firm reminder that she wasn’t entitled to anything.
I went inside, grabbed a pen and a scrap of paper, and returned to the porch. Mrs. Gable watched me, her eyes filled with suspicion.
“What’s that?” she asked, her voice laced with distrust.
“I’m writing you a bill,” I said, my voice deliberately casual.
“A bill? For what?”
“For services rendered,” I said, scribbling on the paper. “Let’s see… ‘Consultation regarding inheritance, one hour… $100.'”
Mrs. Gable’s face turned a shade of purple I didn’t think possible. “Are you serious?!”
“Perfectly,” I said, adding another line. “‘Unauthorized surveillance of private property, one hour… $50.'”
“That’s outrageous!” she sputtered.
“And,” I continued, adding a final line, “‘Emotional distress caused by unwarranted demands, one hour… $150.'” I handed her the paper. “That’ll be $300, Mrs. Gable.”
She snatched the paper from my hand, her eyes scanning the ludicrous list. “You can’t do this!”
“Actually, I can,” I said, a smile playing on my lips. “And if you don’t pay, I’ll have to add late fees.”
She crumpled the paper in her fist, her face a mask of fury. “You’re just like your grandma!” she hissed. “Entitled and selfish!”
“Perhaps,” I said, “but I’m also practical. And I value my peace of mind.”
She glared at me for a moment, then turned and stomped off the porch, muttering about lawyers and lawsuits. I watched her go, a sense of satisfaction washing over me.
Later that day, as I sorted through Grandma’s belongings, I found a small, velvet-lined box tucked away in a drawer. Inside was a handwritten note, addressed to me.
“My dearest grandchild,” it read, “I know Mrs. Gable can be… persistent. Remember, you owe no one anything. Your happiness is your own. And sometimes, a little bit of absurdity is the best way to deal with entitlement.”
I smiled, a warm feeling spreading through my chest. Grandma had known exactly what to do. And she had left me the perfect tool to handle it. I had learned a valuable lesson that day: sometimes, the best way to deal with entitled people is to meet their absurdity with your own. And a little bit of humor never hurts.
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