Heather Thomas, known for her role alongside Lee Majors in *The Fall Guy*, turned 66 on September 8. She was on track for a very successful Hollywood career.
However, after the show’s finale, her mother appeared on set, and Thomas rushed to the hospital, thinking her father had an emergency. But when she arrived at the Santa Monica hospital, her family and friends told her that her father, Leon, was fine—it was her they were worried about.
This marked the start of a new chapter in the 28-year-old’s life, which would change both her personal life and career.
Read on to find out what happened to the famous 1980s pinup girl!
Heather Thomas had talent and natural beauty that compared to stars like Farrah Fawcett and Heather Locklear. She was born to be in the spotlight.
At just 14, she hosted an NBC show called *Talking with a Giant*, where she and other teens interviewed celebrities.
Wanting more, Thomas studied film and theater at UCLA, aiming to be an actor, director, and writer. Before she graduated, she appeared in a short-lived comedy series called *Co-Ed Fever* in 1979.
In 1980, Thomas, who was born in Connecticut, landed her first major role in *The Fall Guy*. She played Jody Banks, a stuntwoman and bounty hunter, alongside Lee Majors, who was famous for his role in *The Six Million Dollar Man*.
Her role made her popular, especially among male viewers, who saw her as a sex symbol. Thomas had mixed feelings about this label.
“There’s a kind of condescension that comes with it,” she told *People*. “You fit the stereotype of the blonde bimbo. But at the time, I was just having fun.”
Unfortunately, Thomas’s fun also involved drugs, a habit that began before her role as Jody Banks.
She revealed that her drug use started in sixth grade to help keep her grades up. “I was taking acid and getting straight A’s. I thought it was mind-expanding,” Thomas said.
As Heather Thomas grew older, the drugs she used also changed.
While studying at UCLA, Thomas started using cocaine. By 1981, just one year into her role on *The Fall Guy*, her drug problems got worse.
Feeling pressure to live up to her image as a sex symbol, the 5-foot-7 actress became obsessed with her weight. She began taking Lasix, a diuretic that can cause extreme tiredness.
To fight the tiredness, she used more cocaine to stay energized.
“At first, I loved the drug. I felt like I was getting a lot out of it. It kept me awake all night, and I could still work the next day,” she said, but claimed she never used it on set. “Cocaine isn’t accepted on sets. It’s no longer cool. It’s just a personal nightmare.”
However, a source close to Thomas told *People* that her drug use was hurting her career. “People knew Heather had a problem,” the source said.
Thomas’s weight dropped from 125 to 105 pounds, and she began falling asleep between scenes. She admitted, “Sometimes, I was in a mini coma.”
One day, she passed out in front of her co-star, Lee Majors. He contacted her manager, who then called her mother.
After the final episode of *The Fall Guy* was filmed, Thomas’s mother, Gladdy Ryder, showed up on set and told her that her father was in the hospital.
Thomas rushed to St. John’s Hospital, but when she arrived, she was met by her family and friends. They were there to admit her into a three-week drug rehabilitation program.
“That day was a big relief for me,” Thomas said. When she checked into detox, she had pneumonia, scarred lungs, and inflamed kidneys. “I’d been on a roller coaster, and I wanted to get off. If my family hadn’t stepped in, I probably would have kept going until I lost my job or died.”
She also said, “The doctors told me I should have been dead three years ago.”
Determined to recover, Thomas surrounded herself with people who supported her goal of staying drug-free. That’s when she met Allan Rosenthal, co-founder of Cocaine Anonymous, and married him when she was 28. They divorced in September 1986.
That same month, Thomas was hit by a car while crossing the street, leaving her with serious injuries to both legs.
After detox, divorce, and surgery to repair major damage in one of her legs, Heather Thomas returned to acting with smaller roles in TV series. She also appeared in movies like *Cyclone* in 1987 and the 1990 Canadian film *Red Blooded American Girl* with Christopher Plummer.
With her struggles behind her, Thomas started fresh in the 1990s. While working to revive her career, she married entertainment lawyer Skip Brittenham in 1992. She became a stepmother to his two daughters, Kristina and Shauna, and gave birth to her only biological child, daughter India Rose, in June 2000.
Talking about her decision to step away from acting, Thomas said, “I had about 45 restraining orders, and I was on everything from a toilet seat cover to an ashtray. Then I fell in love, had two little girls, and decided to give up acting to write for a while.”
In 2017, Thomas made a brief comeback in the movie *Girltrash: All Night Long*, one of her 26 acting credits.
However, Thomas has focused mostly on writing. She said it wasn’t a lack of roles that drove her away from acting but the constant threat of stalkers invading her privacy. “One guy climbed over the fence with a knife. I had two little girls who needed raising, so that was that. Now, I think I’m old enough that people won’t bother me as much.”
Today, Thomas is also involved in activism. She has served on the boards of the Rape Foundation and the Amazon Conservation Team.
Identifying as a feminist, which some find surprising for a former sex symbol, Thomas explained how she embraced both roles.
“When I was younger, I did what people told me. But as I got older, I didn’t compromise myself. I wanted power and freedom, and my career gave me that. I don’t think being a feminist means you should be ashamed of your body,” she said.
It’s unfortunate that Heather Thomas wasn’t able to fully revive her acting career, but we’re glad she got the help she needed and is now on a lifelong journey of recovery.
The 1980s had so many great shows, and we loved watching her as Jody Banks in *The Fall Guy* alongside Lee Majors, the Six Million Dollar Man!
We’d love to hear your thoughts about Heather Thomas and her journey to recovery!
My 81-year-old grandma started posting selfies on Instagram with heavy filters.
The notification popped up on my phone, another Instagram post from Grandma Rose. I sighed, tapping on the icon. There she was, her face smoothed and airbrushed beyond recognition, a pair of oversized, cartoonish sunglasses perched on her nose. A cascade of digital sparkles rained down around her. The caption read, “Feeling my vibe! #OOTD #YOLO #GrandmaGoals.”
My stomach churned. At first, it had been a novelty, a quirky, endearing quirk of my 81-year-old grandmother. But now, weeks into her social media blitz, it was bordering on unbearable.
It had started innocently enough. She’d asked me to help her set up an Instagram account, intrigued by the photos I’d shown her of my travels and friends. I’d thought it was a sweet way for her to stay connected with the family, a digital scrapbook of sorts.
But Grandma Rose had taken to Instagram like a fish to water, or rather, like a teenager to a viral trend. She’d discovered the world of filters, the power of hashtags, and the allure of online validation. Suddenly, she was posting multiple times a day, each photo more heavily filtered than the last.
The captions were a whole other level of cringe. She’d pepper them with slang I barely understood, phrases like “slay,” “lit,” and “no cap.” She’d even started using emojis, a barrage of hearts, stars, and laughing faces that seemed to clash with her gentle, grandmotherly image.
The pinnacle of my mortification came when she asked me, with wide, earnest eyes, how to do a “get ready with me” video. “You know, darling,” she’d said, her voice brimming with excitement, “like those lovely young ladies on the internet. I want to show everyone my makeup routine!”
I’d choked on my coffee. My makeup routine consisted of moisturizer and a swipe of mascara. Grandma Rose’s “makeup routine” involved a dusting of powder and a dab of lipstick.
The worst part was, my entire family was egging her on. They’d shower her with likes and comments, calling her “amazing,” “inspiring,” and “a social media queen.” They were completely oblivious to my growing dread.
I was trapped in a vortex of secondhand embarrassment. What if my friends saw these posts? What if my coworkers stumbled upon her profile? I could already imagine the whispers, the snickers, the awkward attempts at polite conversation.
I found myself avoiding family gatherings, dreading the inevitable discussions about Grandma Rose’s latest post. I’d scroll through my feed, wincing at each new notification, my finger hovering over the “unfollow” button, a button I couldn’t bring myself to press.
One evening, I found myself sitting across from my mom, the glow of her phone illuminating her face as she scrolled through Grandma Rose’s profile. “Isn’t she just the cutest?” she gushed, showing me a photo of Grandma Rose with a digital halo and angel wings.
“Mom,” I said, my voice strained, “don’t you think this is… a little much?”
My mom looked at me, her brow furrowed. “What do you mean? She’s having fun. She’s expressing herself.”
“But it’s not her,” I argued. “It’s like she’s trying to be someone else.”
“She’s adapting, darling,” my mom said, her voice gentle. “She’s embracing technology. She’s living her best life.”
I knew I wasn’t going to win this argument. My family, in their well-meaning attempt to support Grandma Rose, were completely blind to the awkwardness of the situation.
I decided to try a different approach. The next time Grandma Rose asked me for help with her Instagram, I sat down with her and gently explained the concept of “authenticity.” I showed her photos of herself, unfiltered and unedited, her smile genuine, her eyes sparkling with wisdom.
“You’re beautiful just the way you are, Grandma,” I said, my voice sincere. “You don’t need filters or slang to be amazing.”
She looked at the photos, her eyes softening. “Do you really think so, darling?” she asked, her voice a whisper.
“Absolutely,” I said, squeezing her hand.
Grandma Rose didn’t stop posting, but she did tone it down. The filters became less intense, the captions more genuine. She even started sharing stories from her life, anecdotes that were both heartwarming and hilarious.
And slowly, I began to appreciate her online presence. I realized that it wasn’t about trying to be an influencer; it was about Grandma Rose finding her own way to connect with the world, to express her joy, to simply be herself. And in the end, that was more than enough.
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