Pamela Anderson, the iconic Baywatch star and Canadian-American beauty, is making headlines again, and this time it’s not for her red swimsuit running down the beach. In the latest Proenza Schouler SS/24 campaign, Anderson continues to embrace her fresh-faced look and defies age, showcasing her timeless beauty. The luxury women’s fashion brand, established in 2002 by Jack McCollough and Lazaro Hernandez, couldn’t have chosen a more fitting muse to represent their collection.
In the campaign, Pamela Anderson appears ageless, with minimal makeup that accentuates her natural beauty. She graces the camera wearing the New York label’s stunning $1,790 ‘Lara Knit Dress’ in vibrant red. However, what’s truly remarkable is that it seems Anderson is wearing little to no makeup, except for a touch of lip gloss.
The decision to showcase Anderson’s natural beauty is not accidental. The 56-year-old actress and model has been an advocate for embracing one’s true self and challenging conventional standards of beauty. In a recent interview with Vogue France, she shаrеd her perspective, saying, “I’m not into the makeup look right now. My mom always told me, ‘At some point in your life, you’re not going to want to wear makeup on your skin.’ And she’s right.”
This isn’t the first time Pamela Anderson has boldly embraced her natural look. Last October, during Paris Fashion Week festivities, she proudly announced her decision to wear only her DIY rose oil on her alabaster complexion. This move reflects her commitment to authentic beauty and her desire to inspire others to embrace their natural selves.Behind the scenes of this stunning campaign, Anderson had the support of her trusted makeup artist, Cyndle Komarovski, who also worked with her for the Daily Front Row’s Fashion Media Awards in Manhattan on September 8, where she accepted the Style Icon Award. Cyndle’s minimalistic approach to makeup perfectly aligns with Anderson’s vision of beauty, allowing her natural radiance to shine through.
Hairstylist Karim Belghiran and nail artist Alicia Torello completed Anderson’s look for the Proenza Schouler campaign. They transformed her signature blonde mane, taking out some volume, and applied a classic red manicure, enhancing her timeless style. The entire look was curated by stylist Thistle Brown, who ensured Anderson’s effortless beauty was front and center.
In addition to her stunning appearance in the Proenza Schouler campaign, Pamela Anderson has been making waves in her career. She’s currently working on a cookbook, fulfilling a lifelong dream. “This has always been my dream to have a cooking show. Always, always, always,” Anderson shаrеd. “Brandon came to me and said, ‘Mom, your dream is going to come true.’ And now we are on Food Network Canada, which is even better because I am so insistent on doing Canadian projects and working with Canadian production companies.”Pamela’s Cooking With Love, her upcoming vegan cooking show, is set to premiere later this year on Food Network Canada.
Anderson’s passion for cooking and her commitment to a plant-based lifestyle have come together to create a show that promises to delight viewers with delicious and nutritious meals. Anderson expressed her excitement about the show, saying, “Michelin star chefs, James Beard Award winners, and all these incredible chefs from all over the world came to my little barn on the island, and we cooked the most amazing mind-blowing meals. I mean, my head just exploded every episode. I was so excited! I was likе a sponge, just soaking it all in!”
In addition to her flourishing career, Pamela Anderson is also a proud mother of two sons, Brandon Thomas Lee and Dylan Jagger Lee. Both of them showed their support for their mother’s Proenza Schouler campaign by Instastorying it with supportive emojis. Pamela welcomed these two talented young men during her three-year marriage to three-time Grammy nominee Tommy Lee, which ended in 1998.
As Pamela Anderson continues to inspire us with her beauty, authenticity, and resilience, it’s clear that age is just a number. Her timeless elegance and unwavering commitment to embracing her true self make her an icon for generations to come. In a world often obsessed with youth and superficial beauty, Pamela Anderson reminds us that the real essence of beauty lies in being confident in who we are.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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