Although the real-life outlaws Butch Cassidy and the Sundance Kid were close, actor Paul Newman admitted that he harbored some grudges against the young Robert Redford throughout the period of filming.
A true testament to their acting prowess, Redford as Harry Longabaugh, aka “Sundance Kid,” and Newman as Robert LeRoy Parker, aka “Butch Cassidy,” were convincing in their portrayals of the Wild West friends, notorious criminals who were eluding the law after a string of bank and train robberies.
The 1969 film, which was based on the actual outlaws, won four Oscars and is still regarded as one of the best Westerns ever produced. Four years later, in The Sting (1973), another caper movie starring two similarly attractive heartthrobs, the stars reunited.
Legends in their own right, Newman and Redford worked their magic when they were together. However, have you ever wondered how Hollywood’s A-listers get along away from the camera?When he was 44 years old, Newman, who portrayed Butch, admitted that he had been interested in the 33-year-old Redford’s 33-year-old character.
In a BBC Talking Pictures interview, Newman noted, “We have a lot of fun together, and we bounce off each other really well.” I would have wanted to play Sundance, he continued. With that cooled-out quality, I feel a little more at ease. It must be the simpler part, I suppose.
Redford was a budding star who won the Golden Globe for New Star of the Year in 1965 for his work with Natalie Wood in the movie Inside Daisy Clover.
After appearing in movies like Cool Hand Luke (1967) and Cat on a Hot Tin Roof (1958) with Elizabeth Taylor, Newman had already achieved superstardom.
Redford was cast opposite Newman, who was winning acting and directing accolades, in Butch Cassidy and the Sundance Kid after Steve McQueen turned down a role in the film. McQueen also declined parts in Dirty Harry, The French Connection, and One Flew Over the Cuckoo’s Nest.
The two celebrities weren’t truly friends at the time, according to Newman’s memoir, “The Extraordinary Life of an Ordinary Man: A Memoir,” the BBC reports.
Newman said, “You can’t depend on Redford. You’re never sure he’s going to be there. That’s simply discourteous.”
Their differences in working styles, according to Newman’s youngest daughter Claire Newman Soderlund, whom he fathered with his second wife Joanne Woodward, may have contributed to their conflicts.
She said, “My father was very much a stickler for timeliness and Bob, that was never really his strength. It was hard work for dad. He worked very hard at it because he wanted to be good and he wanted to be successful and Bob was more of a free spirit.”
When Newman passed away from lung cancer in 2008, Redford, who is now 86, told ABC News that, “It was just that connection of playing those characters and the fun of it that really began the relationship,” he said, reflecting on Butch Cassidy and the Sundance Kid. “And then once the film started, once we went forward, we then discovered other similarities that just multiplied over time, a common ground that we both had between us, interests and so forth, and differences.”
Newman and Redford looked into possibilities to collaborate on a third movie after portraying renowned outlaws and later thieves in The Sting, but it never materialized.
In Bill Bryson’s 1998 book of the same name, A Walk in the Woods, which was adapted into a 2015 movie, it almost happened. The plot of this buddy movie centers on two elderly guys who are out of shape and want to hike the challenging Appalachian Trail.
In 2005, Redford, who both appeared in and produced the movie, chose this script with his close friend Newman in mind.
In 2015, Redford said, “It started with Paul, because Paul and I had been looking for a third film to do together. A lot of time had gone by, and I just couldn’t find it. When I read this book… I thought of Paul right away.”
Redford, who was 79 at the time of the interview, claimed that he sent the book to Newman, who later cast Nick Nolte in the part because he wasn’t sure he could do it physically.
Since they initially worked together on Butch Cassidy and the Sundance Kid, the relationship between Newman and Redford, two highly regarded performers, has significantly deepened. The performers, who lived in Connecticut just a mile apart and started to act like brothers, are also close with their families.
Speaking after his buddy died, Redford said, “We both got to know each other’s flaws pretty well. Of course, I outweighed him on that front. But knowing each other’s flaws, we just played them to the hilt and we’d try to trick each other. We’d try to surprise each other, and it was so damn much fun that it became like–it became like a scenario unto itself.”
He added, “Paul really likes to have fun and he loves to laugh and he really especially loves to laugh at his own jokes, and some of them are just really awful. So the fact that he enjoyed them so much, you forget about the joke and you’d start to laugh with him because you’re so caught up in his enjoyment of them.”
Paul Newman and Robert Redford had such a great chemistry! Let us know what you think of their on-screen friendship and real-life romance!
I Opened a Mysterious Door in My Cellar—Now I Regret Everything
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
In the back corner, we found something even stranger: an old wooden chest, covered in dust and cobwebs. It was locked, but the lock seemed weak, like it could easily break. Florence begged me to leave it alone, but I was too curious. I forced it open, and what I saw made my heart race.
Inside were old documents, letters written in a language I didn’t understand, and something wrapped in a faded cloth. When I unwrapped it, I froze. It was a small, strange object that didn’t belong in this world. Florence screamed and ran out of the cellar, terrified.
I should have followed her, but I was too deep into it. I put everything back in the chest and closed the door, but the feeling that something had changed wouldn’t leave me. Since that day, things have been different. Strange noises, cold drafts, and shadows moving where they shouldn’t.
Now, I regret opening that door. Florence refuses to go back into the cellar, and I can’t sleep at night. I don’t know what we uncovered, but I fear we’ve let something into our home that we can’t control. Every day, I wish I had just left the door hidden behind the wallpaper, where it belonged.
Now, the cellar remains locked. I’ve sealed the door with heavy boards, hoping that will keep whatever we disturbed at bay. Florence refuses to go near it, and our once happy home feels suffocating with the tension between us. It’s like the house itself has changed, like it’s watching us.
At night, I hear whispers coming from the floor below. I try to convince myself it’s just the wind or my imagination, but deep down, I know something’s wrong. The object I found in the chest haunts my thoughts—I’ve hidden it away, but it’s like it calls to me. Florence says I need to get rid of it, but I’m too afraid to touch it again.
I tried contacting the previous owners, but they didn’t know anything about the hidden room. They had lived here briefly before selling the house. No one in the neighborhood seems to know its history, and records of the house are vague. It’s like this part of the house was meant to stay forgotten.
I keep telling myself everything will be fine if I just leave it alone, but the strange occurrences are getting worse. Lights flicker, doors creak open on their own, and sometimes, I catch glimpses of something moving in the dark corners. It feels like the house is alive—angry that we disturbed its secret.
Florence is talking about moving, and maybe she’s right. But part of me knows that whatever we let out, whatever we disturbed, might not stay behind. And now, I wonder if sealing that door was just the beginning of something far more terrifying.
I never should have opened that door.
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