This summer, Netflix UK released a big show, KAOS, which is a modern take on Greek mythology, with Jeff Goldblum leading the cast. Fans were wondering if there would be a second season, but sadly, the show has been canceled after just one season. This news came from an Instagram post by one of the stars, which was later deleted.
Netflix has been clever recently with naming first seasons, not including season numbers, but KAOS was definitely meant to have more than one season. If you’ve watched episode 8, you probably noticed how it was setting up for future seasons. However, the show has ended.
Officially, KAOS has been canceled.
As of October 7th, it’s confirmed that Netflix won’t continue the show. The news came from one of the stars, Aurora Perrineau, who shared it on Instagram, but the post has since been deleted.
“Well, this one really hurts.
It’s hard to explain how I’m feeling, but I’ll give it a try.
When I started auditioning for this show, I knew it was special. Charlie Covell’s scripts connected with me in a way most things didn’t. I felt like I knew all of these characters, and I loved every part of them—their flaws and everything.
For one of the first times in my life, I’m really proud. I’m proud of everyone’s hard work and dedication to the project. They gave it their all. But I’m also proud of myself, which is something I’ve struggled with.
When I got cast, I was shocked that someone actually saw me. As a minority and a survivor of sexual assault, I couldn’t believe someone thought I could be one of the lead characters. I had my own storyline, my own goals, and was seen as desirable, even having two love interests. I was worthy of that? This whole experience really changed how I see myself.”
The show’s cancellation wasn’t officially announced, but when a fan asked the actress if the show had ended, she replied, “Sadly, yes.” (Thanks to kitsch-zip for the info.)
The creator of KAOS, Charlie Covell, mentioned that she would love to do more seasons in the future. In an interview with Cosmopolitan, she said, “Anything is possible,” and shared that her original plan was to have three seasons. She has many ideas for where the show could go.
Covell also said that even if the show doesn’t get renewed, season one can still be enjoyed on its own. She explained that she didn’t want the season to end with a big cliffhanger and hopes viewers find it satisfying. However, she would love to work with the same actors and team again, calling the experience a dream come true.
why was KAOS canceled?
When it comes to renewing a show, viewership is the most important factor. No amount of marketing can make people start watching or keep them watching until the end. That’s how we’ve been able to predict some major cancelations before, and based on early numbers, things aren’t looking great for KAOS.
Looking at Netflix’s global weekly top 10, KAOS was in the top 10 for the first four weeks it was eligible, with 98.9 million hours watched, which equals about 14.9 million views.
In week four, Netflix changed KAOS from being called KAOS: Season 1 to KAOS: N/A, which suggests it’s now considered a limited series.
Comparing its performance in week three with other Netflix shows that debuted in 2024, KAOS is falling behind some of the biggest-budget shows in the charts by week three.
Let’s compare how KAOS performed week-to-week with some shows that have been renewed, like Supacell, The Gentlemen, and My Life with the Walter Boys, and others that got canceled, like Dead Boy Detectives and Obliterated. So far, KAOS is falling behind compared to these shows.
In the final episode of season 1 of KAOS, things are shifting against Zeus, who seems to be losing his power. His vision of himself bleeding comes true, and a water feature symbolizing his strength collapses.
Here’s a quick recap of where the key characters are: Prometheus is no longer under Zeus’s control and now sits on the throne in Olympus. Riddy, who spent much of the season in the Underworld, has returned to Earth and met Cassandra, who tells her she’s now a prophet and needs to go to Ari to “set the living free.”
Meanwhile, in the Underworld, Caeneus is given the power to renew souls, surprising Hades. He’s also tasked with setting the dead free.
Ari, having fulfilled her father’s prophecy, is now in charge of Krete. She tells her mother she won’t rule for the Gods. Instead, she strikes a deal with the Trojans to rebuild Troy and destroy Olympus. The season wraps up with Dionysus outside the palace, and Hera making a call to gather troops and prepare for battle.
What happens next is only known by Atropos, Lachesis, and Clotho. But it looks like there will be more efforts against Zeus, as Olympus is becoming more unstable. Since Zeus is weakened, Hades will likely lose control of the Underworld, which he warned about earlier in the season. If that happens, everything could fall apart.
‘Little Miss Dynamite’ blew up the charts when she was only 12: The story of Brenda Lee
Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
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