When my wife and I visited an orphanage to adopt, we never expected to meet a little girl who looked exactly like our daughter at home. The shock deepened when we discovered the unimaginable truth.
“Emily, are you ready? My mom will watch Sophia, so we have the whole day.” I tied my shoes as my wife came down the stairs. She looked nervous, brushing invisible wrinkles off her blouse.
A woman fastening her zipper | Source: Pexels
“I think so, David,” she said softly, her voice tinged with uncertainty. “I just… I hope we’re doing the right thing. What if the child doesn’t connect with us?”
I walked over and held her hands. “We’ve talked about this for months. You’ve read every book. We’re as ready as we’ll ever be. Besides, no child could resist your pancakes.”
Emily chuckled, her cheeks flushing pink. “Thanks for that vote of confidence.”
A smiling man talking to his wife | Source: Pexels
Sophia, my five-year-old daughter from my first marriage, poked her head out of the living room. “Can I have pancakes tomorrow, Mommy?”
Emily’s face softened. “Of course, sweetheart.” She smiled, but there was a flicker of sadness in her eyes. I knew she loved Sophia like her own, but I also knew she wanted another child who would call her “Mommy” from the start.
A smiling woman in a dress | Source: Midjourney
As we drove to the shelter, the air in the car was thick with anticipation. Emily stared out the window, twisting her wedding ring.
“You okay?” I asked.
“I’m just scared,” she admitted. “What if we can’t find a child who feels like… ours?”
I reached over and squeezed her hand. “We will. It’s like you always say—love finds a way.”
A nervous woman in a car | Source: Midjourney
When we arrived, the shelter director greeted us warmly. Mrs. Graham was an older woman with silver hair and kind eyes. “Welcome. I’m so glad you’re here.”
Emily nodded, a small, polite smile on her face. “Thank you, Mrs. Graham. We’re excited and… a little nervous.”
“That’s natural,” Mrs. Graham said reassuringly. “Why don’t we start with a quick chat in my office?”
A smiling woman in her office | Source: Pexels
In her cozy office, surrounded by photos of happy families, we explained what we were looking for in a child. “We’re open to any background,” I said. “We just want to feel a connection.”
Mrs. Graham nodded. “I understand. Let me show you the playroom. The kids are all unique, and I think you’ll feel that connection when it’s right.”
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The playroom was alive with laughter. Children were running, drawing, and playing games. Emily’s face lit up as she saw a little boy building a tower of blocks.
“Hi there!” she said, crouching beside him. “That’s a tall tower. What’s your name?”
The boy grinned. “Eli. Don’t knock it over!”
“Wouldn’t dream of it,” Emily said with a laugh.
A woman playing with a boy | Source: Midjourney
I found myself chatting with a girl drawing on a chalkboard. “What are you making?”
“A unicorn,” she said confidently. “You’re big. Are you a dad?”
“I am,” I said. “Do you like dads?”
“They’re okay,” she said with a shrug.
Emily caught my eye across the room, her expression a mix of joy and confusion. I knew she was feeling the same thing I was. How could we possibly choose anyone?
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I felt a tiny tap on my shoulder and turned around. Standing there was a little girl, maybe five years old, with big, curious eyes.
“Are you my new dad?” she asked, her voice soft but confident.
My heart stopped. She looked just like Sophia—same honey-brown hair, same round cheeks, same deep dimples when she smiled.
“Uh, I…” My voice caught in my throat.
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The girl tilted her head, studying me with an expression of innocent expectation, like she already knew the answer. Then, as if to confirm something in her mind, she reached out her hand.
That’s when I saw it—a small, crescent-shaped birthmark on her wrist. My heart raced. Sophia had that exact same birthmark in the same spot.
A young girl in a playroom | Source: Midjourney
“Emily,” I whispered, turning to my wife who had been standing a few feet away. She was gripping the edge of a table for support, her face pale. “Look at her wrist.”
Emily stepped closer, her eyes wide. “David… she—she’s…”
The little girl smiled shyly. “Do you like puzzles?” she asked, holding up a piece. “I’m really good at them.”
A girl showing a man a puzzle | Source: Midjourney
I knelt down, my knees barely holding me as my mind spun. “What’s your name?” I managed to ask, my voice trembling.
“Angel,” she said, her voice bright and cheerful. “The lady here said it suits me.”
Angel. My chest tightened. That name. It hit me like a lightning bolt. Angel was the name my ex-wife, Lisa, had wanted if we ever had another daughter.
A shocked man holding his head | Source: Freepik
I stood up quickly, my mind reeling. Memories from years ago came flooding back. Four years earlier, Lisa had shown up at my house, nervous and fidgeting.
“David, I need to tell you something,” she’d said, her voice shaking. “When we divorced, I was pregnant. I didn’t know how to tell you. I gave birth to a little girl… she’s yours. I—I can’t take care of her. Will you?”
A sad woman in her living room | Source: Midjourney
That’s how Sophia came into my life. But twins? Lisa had never mentioned twins.
“David?” Emily’s voice brought me back to the present.
I looked at her, then back at Angel. She was still smiling, holding the puzzle piece as if nothing life-changing had just happened.
“I need to make a call,” I said, pulling my phone out of my pocket.
A man talking on his phone | Source: Pexels
I walked to a quieter corner of the playroom and dialed Lisa’s number. My hands were trembling as I waited for her to pick up.
“David?” Lisa answered after a few rings, her voice a mixture of surprise and concern. “What’s going on? Is everything okay?”
A woman talking on her phone | Source: Pexels
“No, Lisa. Not even close,” I said, trying to keep my voice steady. “I’m at a children’s shelter with Emily. There’s a little girl here who looks exactly like Sophia. She has her birthmark, Lisa. She’s Sophia’s twin. Care to explain?”
Silence hung heavy on the line. For a moment, I thought she’d hung up. Then, I heard her take a shaky breath.
“David,” she said, her voice barely above a whisper, “I—I didn’t think you’d ever find out.”
A puzzled man talking on his phone | Source: Freepik
“You knew?” I said, struggling to keep my tone calm.
“Yes,” she admitted. “I had twins. When I found out I was pregnant, I was terrified. I was broke, barely able to take care of myself. I couldn’t handle two babies, David. I gave Sophia to you because I knew she’d have a better life with you. I… I thought I’d come back for Angel when I was ready, but I never got stable enough. I thought you’d hate me if you found out.”
A sad woman talking on her phone | Source: Midjourney
“Hate you?” I repeated, my voice rising. “Lisa, you lied to me about my own child. You didn’t think I had the right to know?”
“I was ashamed,” she said, her voice breaking. “I thought I could fix it someday. I thought… maybe I’d have a chance to make it right.”
A sad woman talking on her phone | Source: Freepik
I closed my eyes and took a deep breath, forcing myself to stay calm. “Lisa, I’m taking her home. Angel is my daughter, and she deserves to be with her family.”
Lisa hesitated for a moment. Then she said quietly, “I understand. Take care of her, David. She deserves the world.”
A serious man talking on his phone | Source: Midjourney
I ended the call and stood there for a moment, letting the reality of the situation sink in. Angel wasn’t just a child who looked like Sophia, she was Sophia’s twin. My twin daughters.
I turned back to the playroom, where Emily was kneeling beside Angel, helping her fit a puzzle piece into the board. She looked up as I approached, her eyes shimmering with tears.
“She’s ours,” I said firmly.
A man talking to his wife in a playroom | Source: Midjourney
Emily nodded, her voice trembling. “I already knew.”
Angel looked between us, her small face lighting up. “Does that mean you’re my new mom and dad?”
I crouched beside her, taking her tiny hand in mine. “Yes, Angel. That’s exactly what it means.”
Emily reached over and hugged her, her tears spilling freely now. “We’ve been waiting for you,” she whispered.
A woman hugging her daughter | Source: Pexels
Angel giggled, wrapping her arms around Emily. “I knew it. I just knew.”
In that moment, I realized something profound: love doesn’t just find a way—it creates miracles. And this was ours.
The adoption process moved faster than we’d hoped. Mrs. Graham and her team were incredibly supportive, guiding us through each step. A week later, it was official.
A woman signing documents | Source: Pexels
The day we brought her home, Sophia was waiting by the door, clutching her favorite stuffed bear. Her eyes lit up as soon as she saw Angel.
“Daddy, who’s that?” she asked, her voice curious.
I knelt down, pulling Angel beside me. “Sophia, this is Angel. She’s your sister—your twin.”
Sophia’s jaw dropped. “Twin? We’re the same?” She ran forward, throwing her arms around Angel.
A smiling little girl | Source: Pexels
Angel laughed, hugging her back.
From that moment, the girls were inseparable. They compared everything—birthmarks, favorite colors, and even how they liked their sandwiches. Emily and I stood in the doorway, overwhelmed by the sight of them together.
“We did it,” Emily said, wiping her tears.
Twin sisters playing with a laptop | Source: Pexels
“No,” I whispered. “They did.”
Five years later, our home is filled with laughter and love. Sophia and Angel are sharing secrets and adventures like only twins can.
Emily has embraced motherhood fully, cherishing every chaotic, joyful moment.
A smiling woman on a chair | Source: Pexels
One evening, as the girls practiced a dance routine in the living room, I turned to Emily. “Do you ever think about how far we’ve come?”
“All the time,” she said, smiling.
Watching our daughters together, I realized how love had brought us here. It reminded me that family isn’t about biology only, but about the bonds we choose to nurture.
A man with his daughters | Source: Pexels
And love, as always, found a way.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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