Royal fashion choices always get people talking, and Meghan Markle’s outfit at a recent charity event has caused quite a stir. While many praised her for being bold and stylish, some thought her choice was a bit too daring. What most people don’t realize is that this moment ties her to Princess Catherine in a surprising way.
Meghan turned heads at a children’s charity gala, wearing a bright red dress that was hard to miss. The dress had thin straps and a deep neckline, perfectly fitting her body and showing off her elegant sense of style.
The former “Suits” actress paired her gown with red open-toe heels, perfectly matching her outfit. She kept her makeup simple, focusing on her natural glow, and styled her hair in loose waves.
Though Meghan looked elegant, her dress stirred up debate online. Several people criticized her outfit, especially since it was worn to an event for children.
One commenter wrote, “If I sponsored this event, I would have escorted her out. This is a children’s event. How inappropriate!”
Another added, “Did she come straight from the beach?” echoing the idea that the dress didn’t fit the occasion. Some thought her outfit wasn’t appropriate for a charity gala.
One user simply wrote, “To a children’s gala? Very revealing. Not appropriate.” Others continued criticizing the choice, with someone else commenting, “Nothing right about that! For a children’s event? I don’t think so. That dress was bad the first time too!”
Despite the criticism, Meghan’s red dress shares something surprising with a white gown worn by Princess Catherine. While both dresses were for very different events, they became major talking points in the world of royal fashion.
Princess Catherine, 42, known for her sustainable fashion, made headlines when she re-wore her white Alexander McQueen gown at the 2023 BAFTA Awards. The first time she wore the gown was back in 2019, also at the BAFTAs.
The gown, made of white silk chiffon, had a one-shoulder design with flowing fabric, making Catherine look like a goddess as she walked the red carpet with Prince William.
In 2019, the gown had floral decorations on the shoulder, and she paired it with a white clutch and silver heels. It was praised for its elegance and even inspired bridal fashion ideas.
When Catherine wore the gown again in 2023, she made a few changes. She removed the floral details and added a sleek fabric pinned to the shoulder, giving the dress a fresh and modern look.
To complete her updated look, Catherine wore bold black gloves and gold heels. She also paired the gown with large, floral earrings from Zara, showing how she mixes high fashion with affordable items.
Her decision to wear the same dress twice reflects her commitment to sustainability, as she’s known for re-wearing outfits at public events. This approach not only shows her care for the environment but also proves the timeless beauty of the dress.
Meghan Markle also follows this eco-friendly trend. At the recent Children’s Hospital Gala in 2024, Meghan re-wore the red Carolina Herrera gown she had worn in 2021.
The Duchess first wore this gown at the Salute to Freedom Gala in New York. The dress had a deep plunging neckline and a high front slit, making it a bold choice for both occasions. In 2021, the gown had a long train, paired with red heels, and she and Harry wore poppies to honor veterans.
At the 2024 gala, Meghan’s look was slightly different—this time, the dramatic train was gone, making her appearance simpler but still stylish. She wore red strappy heels and smiled warmly as she posed for photos on the red carpet.
During the event, Meghan interacted with children, their families, and the hospital staff. She was seen chatting with patients and nurses, taking photos, and showing her support.
Though Meghan’s dress sparked criticism, many fans praised her look. One fan said, “She looks stunning. The dress is gorgeous.”
Another admirer commented, “She looks beautiful,” while yet another added, “Absolutely gorgeous!” Others shared their love for her, with one saying, “She’s gorgeous, I love her.”
By re-wearing her Carolina Herrera gown, Meghan not only made a fashion statement but also demonstrated her commitment to sustainability, similar to Princess Catherine’s approach to royal fashion.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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