
Quest Gulliford, a TikTok sensation and cancer survivor with a large tattoo collection, is causing waves with his viral video that exposes his bold dyed eyeballs in addition to his full body tattooing. It’s an astounding exhibition of individualism.
Successfully overcoming Hodgkin’s lymphoma, Gulliford has spent an incredible $70,000 on tattoos since starting his adventure in 2009. In his most recent TikTok video, he describes going through an eyeball tattoo, an experience that needed a great deal of mental preparation. It takes viewers on a visceral journey.

Gulliford stated, “It was definitely high risk, high reward, especially since I’ve wanted it done for so long,” in reference to the procedure’s high stakes. and after three years, I’m still really pleased with it.
He has spent over $70,000 on his distinctive style of self-expression, of which $10,000 is devoted to the modification of his eyes alone.
Gulliford acknowledged, “It took me a long time actually on the day once I walked into the shop to even psych myself up to get it done,” when describing the mental toughness needed on the day of the eyeball tattoo in Houston, Texas. In this non-traditional process, which is more like an injection or alteration than a normal skin tattoo, a needle is inserted into each side of the eyeball.

Unexpectedly, Gulliford disclosed that he intends to see the same tattoo artist the following month to improve his eye ink, demonstrating his dedication to pushing the limits of personal expression.
Among the many tattoos that cover his body, Gulliford proudly sports one that represents his successful fight against cancer. Every tattoo he has, from his first, a cross with the words “God First” on his chest, to his moving purple cancer ribbon commemorating his battle with Hodgkins lymphoma in seventh grade, narrates a tale of perseverance.

Gulliford recalled his health struggle that culminated in his tattoos, saying, “I had a big lymph node growing.” I didn’t give it much thought. It was chemotherapy for around half a year. After that, I felt as though I had superhuman strength.
In a 2019 interview with Inked, Gulliford revealed that when he first started getting facial tattoos at the age of 18, his mother wasn’t happy about it. Even though she finally came around to smaller face tattoos, her qualms were aroused as ink spread onto a larger canvas, leading her to intervene at tattoo parlors to try and discourage artists from doing larger facial tattoos.

Quest Gulliford’s unabashedly honest path of self-expression, characterized by victory over hardship, never fails to enthrall audiences, demonstrating that sometimes the most amazing tales are etched on our flesh.
With her blond hair & blue eyes, she was making waves in Hollywood – but look at her now
Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner was reared in a home with four other children despite having a difficult upbringing. She and her siblings were raised in both Venezuela and London. She experienced tragedy when, at a young age, her father passed tragically suddenly while mowing the lawn of their Hampstead house.

The foreign service expelled Kathleen and her family from the UK a month after his death. Turner moved her family to Springfield, Missouri, where everyone was still mourning their father and their former residence..
After relocating to New York to pursue an acting career as an adult, Tuner at last experienced calm. Although she had some success on the stage, her big break came when she was cast as the femme fatale in the 1981 film “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.

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She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.

Their marital issues reached a breaking point when Turner played Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” in 2005. Acting in eight performances a week caused Turner to become exceedingly busy, and it seemed Weiss didn’t want to spend any time with her when she was at home.
Turner received a Tony nomination for her performance as Martha during that period, and the two split peacefully.
In 1987, the actress received an Oscar nomination for her performance in “Peggy Sue Got Married.” In the 1980s, she continued to make movies and appeared in a number of blockbusters, three of which starring Michael Douglas.
Kathleen, however, suffered a medical setback in the 1990s when her neck locked, preventing her from turning her head. She also lost the ability to use her hands because of swelling in them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
Rheumatoid arthritis, which is defined by the swelling of the lining of our joints, turned out to be the cause of her unfortunate circumstances. Chronic pain brought on by this illness can be challenging to manage.

“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
As a pain reliever, Kathleen used booze and medications. Although they made it easier for her to work, her propensity for consuming vodka caused her to pass out during dress rehearsals for plays like the 2002 theatrical production of “The Graduate.”

After the episode ended, the actress genuinely entered rehab, where it was discovered that she was not an alcoholic. She was instead instructed to just keep better note of when she took her prescriptions and any negative side effects.
The actress now practices yoga and pilates to help her manage her discomfort and stay flexible.
The celebrity started to truly concentrate on her theatrical profession while managing her pain better. Although she occasionally continued to work in cinema and television, she mostly went back to her origins as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.

The actress has been able to devote more time to her passions by concentrating on the theater, including volunteering for Amnesty International and working for Planned Parenthood of America.
Turner has dedicated her life to supporting other women as a fervent feminist and has done so for the majority of her life. Send Yourself Roses, Gloria Feldt’s 2008 biography of the actress, accurately depicts her ideas.

“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
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