Jase and Missy Robertson’s journey: Overcoming obstacles and finding strength

Mia Robertson, the youngest daughter of Duck Dynasty’s Jase & Missy Robertson, has been born with a condition known as cleft lip and palate, a gap in the upper lip that can involve the gum as well.

The U.S. Centers for Disease Control and Prevention shares that about one in every 1,600 babies is born with a cleft lip with a cleft palate in the U.S.

Because of her condition, sweet Mia, who is now 18 years old, has been forced to undergo 13 surgeries, with the 14th taking place just recently. The family truly hopes this would be Mia’s last procedure before her problem is finally solved.

Throughout every surgery, the young girl remains positive. What’s most, she hopes she serves as inspiration for other young children who are born with the same condition. On her own initiative and with the help of her family, Mia established the Mia Moo Fund in order to assist in making certain that each and every child wears a smile on their face.

“One of the functions of the Mia Moo Fund is to spread awareness of the cleft lip and palate journey,” Missy Robertson told Christian Post. “The other one is to help with medical funds for the parents and the families living right here in America.”

On his podcast Unashamed, Jase Robertson shared an update on Mia’s condition and said that his daughter is recovering well.

“She’s doing great. She’s turned a corner,” he said, and then added, “Everything seems great, seems to be fine.”

“Surgery went a little longer than expected, but she is home and recovering,” the loving father told his podcast listeners. “Thank you for praying for her and for our family. She is a champion!”

Before the surgery took place, Missy spoke of her daughter’s condition and explained that she had been constantly asked about the number of procedures Mia would need to undergo in the future. “There is never any other response than ‘We just don’t know,’” Missy said. She then added that they rely on God for assistance. “Since she is 18 now, she is taking the lead in all the discussions and medical forms. It’s been a little strange,” Missy wrote. “But it’s just another reminder to lean on the Lord and that I’m not in control.”

Mia also hopes that she’s at “the finish line.”

“Hopefully the last time I’ll see my doctors in this setting! It’s been a long road but we are at the finish line,” brave Mia said.

The Robertson’s have also been preparing for a new addition to the family as they open the doors to their hearts and home for a child whose mother was unfit to take care of.

We wish Mia speedy recovery.

I DIDN’T GET WHY MY BEST STUDENT REFUSED TO PERFORM IN THE SCHOOL CONCERT — UNTIL I SAW WHO HIS DAD WAS

The auditorium buzzed with the expectant energy of parents and students, a sea of faces eager for the school’s annual concert. I stood backstage, a knot of anxiety tightening in my stomach. Jay, my prodigy, my star pupil, was nowhere to be found.

When I first met Jay, I was a fresh-faced music teacher, barely a week into my new role. The reality of wrangling a classroom of energetic children had quickly shattered my romanticized notions of teaching. I’d begun to question my career choice, wondering if I’d made a terrible mistake.

Then Jay sat at the piano. His small hands, seemingly too delicate for the instrument, moved with a surprising confidence. The music that flowed from him was breathtaking, a complex symphony that belied his age and lack of formal training. He was a natural, a raw talent that shone like a diamond in the rough.

I offered him private lessons, eager to nurture his gift. He hesitated, his eyes darting away, and eventually declined. I noticed his solitary nature, his avoidance of the other children, and a sense of unease settled within me. I suspected there was more to Jay’s quiet demeanor than met the eye.

Determined to help him, I offered to teach him without charge. Over the following weeks, we spent hours together, exploring the world of music. Jay absorbed knowledge like a sponge, mastering complex pieces with an almost uncanny speed. He was ready, more than ready, for his debut performance.

But on the day of the concert, he vanished. I searched frantically, my anxiety escalating with each passing minute. Finally, I found him huddled backstage, his small frame trembling, his eyes wide with fear.

“Jay, what’s wrong?” I asked, my voice gentle.

He whispered, his voice choked with terror, “I have to go on… before my father sees me!”

“Why?” I asked, confused. “Why wouldn’t your father want to see you play?”

His eyes widened, and he looked over my shoulder. I turned, and the breath hitched in my throat.

Standing at the entrance to the backstage area was a man I recognized all too well: Richard Thorne, the renowned concert pianist, a man whose name was synonymous with musical genius. He was also Jay’s father.

Richard Thorne was a legend, a figure I had admired from afar for years. His performances were legendary, his technique flawless. But his reputation was also marred by whispers of a cold, demanding perfectionism, a relentless pursuit of excellence that left little room for human frailty.

Suddenly, Jay’s fear, his reluctance to perform, his solitary nature, all made sense. He wasn’t just a talented child; he was the son of a musical titan, a man who likely held his son to impossibly high standards.

Richard’s gaze landed on Jay, and his expression was unreadable. He strode towards us, his presence filling the small backstage area.

“Jay,” he said, his voice low and commanding, “what are you doing here?”

Jay shrank back, his eyes filled with terror. “I… I was going to play,” he stammered.

Richard’s eyes narrowed. “You were going to play? Without my permission?”

“I… I wanted to,” Jay whispered.

Richard’s expression hardened. “You are not ready,” he said, his voice laced with disdain. “You are not even close.”

Jay’s shoulders slumped, his face crumpling with disappointment. I felt a surge of anger, a protective instinct rising within me.

“Richard,” I said, my voice firm, “Jay is incredibly talented. He’s been working hard, and he’s ready to share his gift.”

Richard turned to me, his eyes cold. “You presume to know my son better than I do?”

“I know he loves music,” I said, my voice unwavering. “And I know he deserves a chance to express himself.”

A tense silence filled the air. Richard’s gaze shifted back to Jay, and for a moment, I saw a flicker of something in his eyes, a hint of vulnerability.

“Jay,” he said, his voice softer, “if you truly want to play, then play. But you must understand, you will be judged. You will be compared. And you must be prepared for that.”

Jay looked at his father, his eyes filled with a mixture of fear and determination. He nodded, his small frame straightening.

“I’m ready,” he said, his voice barely a whisper, but filled with a quiet strength.

Richard stepped aside, allowing Jay to pass. Jay walked onto the stage, his footsteps echoing in the hushed auditorium. He sat at the piano, his hands trembling slightly.

Then, he began to play.

The music that filled the auditorium was breathtaking. It was Jay’s music, his interpretation, his soul poured into every note. It was not a perfect performance, not a flawless rendition of a master’s work. But it was beautiful, raw, and filled with a passion that resonated with every soul in the room.

When he finished, the auditorium erupted in applause. Richard Thorne stood at the back of the room, his face unreadable. But as Jay walked off the stage, Richard reached out and placed a hand on his son’s shoulder.

“You played well,” he said, his voice low. “But you can do better.”

Jay looked up at his father, his eyes filled with a quiet understanding. He nodded, a small smile playing on his lips. He knew that his journey had just begun, and he knew that he had the strength to face whatever challenges lay ahead. He had found his voice, and he would not be silenced.

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