Gwen Stefani, 54, Poses in Jumpsuit with Revealing Neckline beside Spouse: Pics of Debated ‘Cowgirl’ Look

Social media fans were recently drawn to Gwen Stefani’s ensemble from the song cover she shared with Blake Shelton. Many others posted their thoughts on social media.

Gwen Stefani and her husband Blake Shelton recently shared an Instagram photo that captured the attention of fans and social media users. Stefani posted a picture of herself on the couch wearing an easygoing yet stylish outfit.

The singer of “The Sweet Escape” accessorized with a bold necklace and brown platform sandals to go with her bikini top and denim jumpsuit. Shelton, meanwhile, casually posed while picking up a guitar.

Instagram users were divided by the group’s disagreement, which was evident in the comments area. “What is the purpose of her bra being visible? She is really cheesy! One user remarked, “If you want kids to look up to you, you need some class. Dress like an adult with children.”

You’re unable to perceive this for yourself because you’re so overwhelmed. Would you wear something similar? asked a second person. A separate Instagram user, meanwhile, had an own interpretation on Stefani’s costume. “This is a more subdued version of the brand she has used her entire career [sic].” She’s not suitable for everyone,” the observer said.


The cover art for their most recent song together, “Purple Irises,” which was published on February 9, 2024, was their shot together. The couple also released a behind-the-scenes video from their photo session, in which Sefani’s “cowgirl” outfit was observed by one viewer.

The popularity of the song Stefani recently shared on Instagram only serves to accentuate the beauty of her appearance. The couple’s collaboration, “Purple Irises,” has soared to the top of this week’s music rankings.

In a Billboard poll, fans overwhelmingly selected the couple’s duet above songs by well-known performers like Usher—who wowed during the 2024 Super Bowl halftime show—and country music phenomenon Kacey Musgraves.

The Super Bowl TikTok Tailgate featured a performance by Stefani and Shelton of “Purple Irises,” which thrilled fans immediately before the big game on Sunday, February 11. Other songs that Stefani and Shelton have worked on together include “Happy Anywhere” and “Nobody But You.”

The couple’s shared emotions and experiences are reflected in their love songs. In the past, Stefani wrote, “Never knew a love like this,” in the caption of a Polaroid picture she posted on Instagram with Shelton. She also mentioned Stefani’s beauty and her husband’s kind gesture of gifting her purple flowers.

It’s interesting to note that Blake Shelton and Gwen Stefani celebrated the New Year’s Eve apart, which worried some interested parties. But they were forced to do so because of their job responsibilities.

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Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It

The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.

One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.

Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.

“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:

“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”

Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.


The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.

Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.

Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.

Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:

“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”

Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.

Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.

In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.

When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.

Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.

Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.

In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.

One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.

Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.

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