At 86, She Looks Decades Younger—Here’s Her Secret to Aging Without Surgery

Famous actress Claudia Cardinale has embraced aging gracefully, believing that time is unstoppable. Her approach shows a natural and inspiring transformation through the years.

Instead of turning to surgery, Claudia has chosen to accept each stage of life. She believes true beauty comes from within, a mindset that has gained her admiration from fans worldwide.

Her transformation over the years shows her confidence in aging naturally. Claudia’s appearance is a testament to her strength and timeless elegance, proving that beauty truly knows no age.

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Italian actress Claudia Cardinale was a big name during Hollywood’s golden age. Over her long career, she appeared in more than 100 films, especially from 1960 to 1970.

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During that decade, she acted in about 30 movies, including famous titles like 8½ (1963), The Leopard (1963), and The Professionals (1966), where she starred with Burt Lancaster and Lee Marvin.

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Another memorable role was in Once Upon a Time in the West (1968), directed by the legendary Sergio Leone. Cardinale recalls that Leone had a unique style, often playing the music for a scene before filming it.

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Reflecting on her U.S. career, Cardinale said, “I didn’t ask to go to Hollywood; they called me.” At that time, Hollywood studios quickly signed up new stars under strict contracts, which limited actors’ freedom in their careers.

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Cardinale resisted this, avoiding an exclusive deal with Universal Studios. She preferred signing one contract at a time, allowing her to build a career on her own terms.

In her three years in Hollywood, Cardinale acted in movies like The Pink Panther and The Professionals, working with famous actors such as Rock Hudson in Blindfold and sharing the screen with John Wayne and Rita Hayworth in Circus World.

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During this time, she met many Hollywood icons, including Barbra Streisand, Steve McQueen, and Warren Beatty.

In 1961, Cardinale attended Cannes for the first time, promoting films like Girl With a Suitcase and The Lovemakers. She returned to Cannes in 1963 with The Leopard and 8½, both highly acclaimed movies.

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Shooting two films at once was challenging, as each director wanted a different look for her. She dyed her hair dark for Visconti and went blonde for Fellini, switching colors every two weeks.

Later, she returned to Hollywood, starring in films with Rock Hudson like Blindfold and Lost Command. Cardinale was offered an exclusive contract with Universal, but she declined, saying, “No, I’m European. I’m going back.” She stayed true to herself, resisting the pressure.

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Unlike some actresses, Cardinale never appeared in nude scenes and stayed clear of cosmetic surgery. She believes in showing her true self. “I’ve never done – what do you call it? – a facelift,” she once said, explaining her decision to age naturally.

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Now 86, Cardinale still works in the entertainment industry. Her recent project was the Tunisian-Italian film The Island of Forgiveness. About staying active, she said, “I don’t like all these facelifts and plastic surgery because you can’t stop time.”

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Starting from the “Most Beautiful Italian Girl in Tunisia” in 1957, Cardinale’s journey reflects her strength and beauty. Her story shows that true beauty lies in embracing oneself and staying genuine.

Gwen Stefani, 54, Poses in Jumpsuit with Revealing Neckline beside Spouse: Pics of Debated ‘Cowgirl’ Look

Social media fans were recently drawn to Gwen Stefani’s ensemble from the song cover she shared with Blake Shelton. Many others posted their thoughts on social media.

Gwen Stefani and her husband Blake Shelton recently shared an Instagram photo that captured the attention of fans and social media users. Stefani posted a picture of herself on the couch wearing an easygoing yet stylish outfit.

The singer of “The Sweet Escape” accessorized with a bold necklace and brown platform sandals to go with her bikini top and denim jumpsuit. Shelton, meanwhile, casually posed while picking up a guitar.

Instagram users were divided by the group’s disagreement, which was evident in the comments area. “What is the purpose of her bra being visible? She is really cheesy! One user remarked, “If you want kids to look up to you, you need some class. Dress like an adult with children.”

You’re unable to perceive this for yourself because you’re so overwhelmed. Would you wear something similar? asked a second person. A separate Instagram user, meanwhile, had an own interpretation on Stefani’s costume. “This is a more subdued version of the brand she has used her entire career [sic].” She’s not suitable for everyone,” the observer said.

Gwen Stefani and Blake Shelton's video shoot, dated February 2024 | Source: Instagram/GwenStefani

The cover art for their most recent song together, “Purple Irises,” which was published on February 9, 2024, was their shot together. The couple also released a behind-the-scenes video from their photo session, in which Sefani’s “cowgirl” outfit was observed by one viewer.

The popularity of the song Stefani recently shared on Instagram only serves to accentuate the beauty of her appearance. The couple’s collaboration, “Purple Irises,” has soared to the top of this week’s music rankings.

In a Billboard poll, fans overwhelmingly selected the couple’s duet above songs by well-known performers like Usher—who wowed during the 2024 Super Bowl halftime show—and country music phenomenon Kacey Musgraves.

The Super Bowl TikTok Tailgate featured a performance by Stefani and Shelton of “Purple Irises,” which thrilled fans immediately before the big game on Sunday, February 11. Other songs that Stefani and Shelton have worked on together include “Happy Anywhere” and “Nobody But You.”

The couple’s shared emotions and experiences are reflected in their love songs. In the past, Stefani wrote, “Never knew a love like this,” in the caption of a Polaroid picture she posted on Instagram with Shelton. She also mentioned Stefani’s beauty and her husband’s kind gesture of gifting her purple flowers.

It’s interesting to note that Blake Shelton and Gwen Stefani celebrated the New Year’s Eve apart, which worried some interested parties. But they were forced to do so because of their job responsibilities.

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