A Man Who Was Called “The Tree Man” Was Able to Hold His Daughter Again After Many Surgeries

“The Tree Man” is a man whose life has been defined by a rare malformation in his hands. Once dubbed for his distinctive condition, he has undergone numerous surgeries, overcoming tremendous challenges on his journey. Now, with unwavering determination and the skilled hands of medical professionals, he has reclaimed a simple yet profound joy—holding his daughter once again.

Abul Bajandar has a rare condition called ’Tree Man’ Syndrome.

Abul Bajandar, a man hailing from Bangladesh, is afflicted with an extraordinary and rare condition known as ’Tree Man’ Syndrome. This hereditary condition, though non-contagious, is unfortunately incurable, and surgical interventions offer only temporary relief. Abul is not alone in his struggle, as there are others worldwide grappling with the challenges posed by this syndrome.

This syndrome manifests through the development of wart-like skin growths that bear a striking resemblance to tree bark. These growths, while initially small, have the potential to grow significantly in size, resulting in considerable disability for those affected.

He has it from a young age.

The onset of his condition began during adolescence, with small warts appearing on his body at the age of 13-14. Regrettably, as he advanced in age, the affliction rapidly escalated, affecting various parts of his body.

After 16 surgeries he was able to hold his daughter again.

After undergoing a series of 16 surgeries between 2016 and 2017 at Dhaka Medical College Hospital in Dhaka, Bangladesh, Abul Bajandar achieved a poignant milestone—he could once again hold his daughter. The surgical procedures aimed to remove the bark-like lesions from his hands and feet, offering a glimmer of hope in his battle against Tree Man Syndrome.

Bajandar shared the profound joy he experiences spending time with his daughters, emphasizing, “If I recover from this, I want to work again, to build a small business to help my daughters in her studies and to give them a good life.” These words reflect not only his determination to overcome the challenges posed by his rare condition but also his unwavering commitment to providing a better future for his family.

Throughout Abul Bajandar’s challenging journey with Tree Man Syndrome, he draws strength from the unwavering support of his wife and mother. In the face of the condition’s recurrence, their steadfast presence provides him with comfort and encouragement. Bajandar reflects on the transformative power of fatherhood, sharing, “When my daughter was born, she brought me the hope of life again. I didn’t want to leave her as an orphan. I felt like I must live for her.”

Abul Bajandar’s condition returned but he remains hopeful.

Despite facing the disheartening recurrence of his condition, Abul Bajandar maintains a resilient sense of hope. Doctors, initially uncertain about the possibility of the condition’s return, witnessed its reappearance. Undeterred, Bajandar expresses his unwavering optimism, declaring, “My only dream is to recover from this situation and live a healthy life.”

His poignant words reflect not only the personal challenges he endures but also a universal desire for health and well-being. Bajandar’s enduring hope shines through as he states, “All I can say is that I truly believe and hope that a cure exists for this disease.” In the face of adversity, his spirit remains unbroken, embodying the strength of individuals confronting rare and challenging medical conditions.

Another person born with a rare condition has defied societal norms and emerged as a symbol of extraordinary resilience. Meet the girl affectionately referred to as “Voldemort” due to being born without a nose.

Preview photo credit Tansh / Alamy Stock PhotoZUMA Press, Inc. / Alamy Stock Photo

King Charles’ First Official Portrait Deemed Inappropriate

In a dramatic unveiling that has left the public and critics buzzing, King Charles III revealed his first official portrait since ascending to the throne, and reactions have been anything but tepid. As debates rage on social media and in art circles, it is clear that King Charles’ portrait is destined to be one of the most talked-about royal artworks in recent history.

The unveiling

Recently, King Charles III personally unveiled a new portrait of himself at Buckingham Palace, the first such portrait since his coronation. The Royal Family’s Instagram account shared an exclusive video of the unveiling, featuring the king himself presenting the artwork.

This significant new work will ultimately be displayed in Drapers’ Hall in London, adding to its historical art collection and offering the public a glimpse of the monarch’s regal presence.

There was an ongoing debate in the comments.

The unveiling sparked a heated debate in the comments section on the Royal Family’s Instagram post and other social media sites. Opinions were sharply divided, with some users harshly criticizing the artwork. Comments ranged from “That is hideous” and “Without sounding rude, this is the worst royal portrait I’ve ever seen” to “100% thought this was satire.”

One critic remarked, “The face is good, the rest is appalling,” while another noted, “I would have loved this if it was any other color than red. He really captured the essence of him in the face, but the harshness of the red doesn’t match the softness of his expression.”

Despite the criticism, there were also voices of appreciation, such as “A lovely portrait of King Charles! I love the way the muted background draws attention to his face!” The mixed reactions highlight the polarizing nature of the portrait and the strong emotions it has evoked among the public.

The artist

https://brightside.me/articles/king-charles-reveals-first-portrait-of-himself-since-the-coronation-causing-stir-818961/?utm_source=5_minute_crafts_usa_fb&utm_medium=square_cards&utm_campaign=1st_comment_links&fbclid=IwZXh0bgNhZW0CMTAAAR2mmAUUWo3nXKx3BO4Kopp3IRPFhLzL08nN_dEwYUxZfsysHOsJIA-0aiU_aem_AabliMYykGKQyXWaEFEXOH1_aNA4IPf_ZsAzhJChTo2YCrPc7xz6Wa_NjhnYKgpTBIHzKmN3CfaIuuCwaW5W16Te

Jonathan Yeo, a prominent figure in the world of figurative painting, has earned widespread acclaim for his unique blend of traditional and experimental portraiture. Yeo’s distinctive approach involves a deep engagement with his subjects, allowing him to capture their essence beyond mere physical appearance.

His recent portrait of King Charles III epitomizes this philosophy. Yeo explained, “As a portrait artist, you get this unique opportunity to spend time with and get to know a subject, so I wanted to minimize the visual distractions and allow people to connect with the human being underneath.”

The meaning of the portrait.

A particularly striking element of Yeo’s portrait is the inclusion of a butterfly. This detail serves multiple purposes, both symbolic and compositional. Yeo elaborated, “Primarily a symbol of the beauty and precariousness of nature, it highlights the environmental causes the King has championed most of his life and certainly long before they became a mainstream conversation.”

The butterfly also provides a visual contrast to the uniform, softening the portrayal and adding layers of meaning. “In the context of art history, a butterfly often symbolizes metamorphosis and rebirth, paralleling the King’s transition from Prince to monarch during the period the portrait was created,” Yeo noted, further emphasizing the transformative phase in King Charles’s life.

Yeo expressed his gratitude and honor for being commissioned to create such a significant portrait. “It was a privilege and pleasure to have been commissioned by The Drapers’ Company to paint this portrait of His Majesty The King, the first to be unveiled since his Coronation.”

Yeo’s approach to portraiture aims to encapsulate the life experiences and humanity etched into his subjects’ faces. “I do my best to capture the life experiences and humanity etched into any individual sitter’s face, and I hope that is what I have achieved in this portrait,” he explained.

The challenge of portraying a figure as complex and significant as King Charles III was substantial, but one that Yeo found immensely rewarding. “To try and capture that for His Majesty The King, who occupies such a unique role, was both a tremendous professional challenge, and one which I thoroughly enjoyed and am immensely grateful for,” he concluded. The portrait, destined for Drapers’ Hall in London, stands as a testament to both the artist’s skill and the monarch’s enduring legacy.

Discover the lesser-known facets of King Charles III’s life in our compelling article, “8 Things About King Charles III That Will Allow Us to Know Him More Closely.” Dive beyond the regal exterior to uncover intimate details about his passions, personal experiences, and unique quirks.

Preview photo credit Kin Cheung / Associated Press / East News, theroyalfamily / Instagramjonathanyeo / Instagram

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