One of the most horrible problems in society today is child trafficking, which causes misery to innumerable innocent lives. Mel Gibson’s most recent film, “Sound of Freedom,” illuminates this grim reality with its impressive message and ensemble of celebrities. To many’s astonishment, nevertheless, major streaming services have ignored this significant movie, which begs the question of Hollywood’s real intentions.
Revealing the Startling Truth
“Sound of Freedom,” which is based on the actual tale of Tim Ballard and his group, Operation Underground Railroad, delves deeply into the subject of child exploitation. It reveals the unsettling reality that lies behind the glitter and extravagance of the film business. However, Hollywood doesn’t appear to want to give it the credit it merits.
The Elite of Hollywood Are Suspected
There have been allegations made against well-known personalities, including Oprah Winfrey, who have relationships with people like Harvey Weinstein and John of God. These allegations, which raise the possibility that Hollywood’s elite is involved in the cover-up of these horrible crimes, add fuel to the fire of suspicion. Their own interests seem to take precedence over the wellbeing of youngsters who are at risk.
Taking on Hollywood’s Dirty Underbelly
The paucity of coverage “Sound of Freedom” received in the media is a sobering reminder of Hollywood’s reluctance to face its own dark secrets. It makes us wonder who in Tinseltown, the city of dreams, we can really trust. Mel Gibson, though, won’t say no.
Mel Gibson Discloses His Opposition to Covert Plans
The well-known actor and filmmaker Mel Gibson has bravely spoken out against Hollywood’s secret purpose. His voice adds to the increasing number of people who are calling for justice and answers for the victims of child trafficking. He hopes to spur action against this horrific crime and increase awareness through his film.
Motivating Action in Film
The song “Sound of Freedom” is a global audience call to action. Gibson hopes to inspire us to rally, take a position, and defend the defenseless by demonstrating the potency of narrative and film. If we work together, we can change things.
Delivering a Message Clearly: Safeguarding the Innocent
Encouraging movies like “Sound of Freedom” makes it very evident that we will not put up with the exploitation and abuse of children. It’s time for Hollywood to face its dark truths and put the welfare of the weakest members of society first.
Participate in the War Against Child Trafficking
Raise your voice in the struggle against the trafficking of children. When we work together, we can change things and put an end to this unfathomable horror. Join us in the battle against child trafficking by standing with us.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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