Richard Gere was present at the Cannes Film Festival alongside his wife Alejandra Silva and his 24-year-old son, Homer James Jigme Gere. Fans were captivated by Homer’s appearance, as the young man is very rarely seen in public.

Dressed in sharp black suits with matching bow ties and pristine white shirts, the father and son exuded elegance. Their joyful smiles and a heartfelt hug captured the attention of the cameras.

Online fans were astonished by Homer’s good looks. One user raved, “His eldest son is a cutie.” Another commented, “Beautiful guy!” A third remarked, “His son is gorgeous!”
That said, other fans still believed that the famous father looked better than the son. One observer wrote, ’’It seems like he inherited none of his father’s charm. [,,,] One might even question if they are truly related! Quite lacking in the attractiveness department, I must say.’’
Another remarked, ’’Beauty is a very subjective thing and I would say he looks nothing like his dad.’’

Homer, born in February 2000, was named after his paternal grandfather. This grandfather, who was Richard Gere’s father, lived until the age of 100 and passed away in 2023. Homer’s mother, Carey Lowell, is a model and actress who was Richard Gere’s second wife before they divorced.
Jane Fonda’s radiant and elegant appearance at Cannes 2024, at 86 years old, stunned fans. See the photos here.
Actress Rose McGowan’s Controversial Tweet about Oprah Winfrey

Rose McGowan, an actress, recently sparked a contentious discussion on Twitter over media mogul Oprah Winfrey. Her tweet revealed a different side of Oprah, casting doubt on the public’s view of the powerful person and bringing up issues with the way she has used her influence over time. Numerous Americans were drawn to this information, which resulted in a post going viral.

McGowan accused Hollywood producer Harvey Weinstein of sexually abusing her, and in a tweet, McGowan blasted Oprah for her alleged ties to Weinstein. Using the hashtag #lizard, she criticized Oprah for allegedly backing a “sick power structure for personal gain” and even branded her out as “fake”. There wasn’t much opportunity for interpretation with this clear-cut and unambiguous remark.

It’s important to remember, though, that McGowan’s post was made nearly a year after Oprah resigned from her role as executive producer of the Russell Simmons documentary for #MeToo. Oprah clarified that she didn’t think she and the filmmakers were still on the same creative page and that more work needed to be done to fully depict the stories of the victims. Oprah stressed her steadfast conviction in and support for the women who came forward as victims in an interview with The Hollywood Reporter.
Oprah did star in a film that was distributed by Weinstein’s media business, so it is true that she had prior relationships with him. Oprah admitted her previous friendship with Weinstein when the charges against him surfaced, but she insisted she was unaware of his predatory behavior toward women. If she had known, she claimed, she would have spoken out against his reprehensible actions.

Oprah’s relationship with Weinstein serves as a reminder of the difficulties in keeping personal and professional interactions separate, as well as the complexity of the entertainment industry. It’s critical to understand that people can be victims themselves as well as supporters of victims.

Rose McGowan has attacked Oprah outspokenly, but she has also become entangled in the controversy surrounding the California Gavin Newsom election recall. Notwithstanding these events, McGowan’s tweet is significant because it emphasizes how critical it is to report abuse and hold people accountable, regardless of their standing in society or level of influence. It serves as a reminder of the strength that comes from speaking one’s truth and advancing the social justice dialogue.
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