Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.

Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.

She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.

She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”

Man Unveils Chilling Unseen Footage of Twin Towers Collapse
More than two decades after the devastating events of September 11, 2001, previously unseen footage of the Twin Towers’ collapse has been released. Captured from a new angle, this video offers fresh insight into one of modern history’s most tragic moments. Kei Sugimoto, the man who filmed the footage, recently shared it after keeping it stored away for over 22 years.
The Day That Changed the World

On September 11, 2001, 19 members of the jihadist group Al-Qaeda hijacked four airplanes in a coordinated attack against the United States. Two planes crashed into the World Trade Center in New York City, leading to the collapse of the Twin Towers and the deaths of nearly 3,000 people. This attack had far-reaching consequences, reshaping U.S. foreign policy and leaving a lasting global impact.
Rediscovering the Footage

Sugimoto recently stumbled upon old video tapes while cleaning out his closet. Among them was footage he recorded on 9/11 using a Sony VX2000 camera. Concerned about the condition of the tapes, he quickly digitized the video, unveiling a previously unseen perspective of the Twin Towers’ collapse.
A New View of the Collapse

The footage, captured from the roof of a building at 64 St. Marks Place in New York City, provides a rare northern view of the towers’ collapse. The video shows the towers enveloped in black smoke before they crumble, offering a haunting reminder of that catastrophic day. One viewer observed, “This footage shows a perspective not typically seen from the south or east.”
Public Reaction to the Footage

Since being released on July 23, 2023, the video has gained widespread attention on social media, sparking conversations and reactions. Many expressed surprise that new footage of 9/11 could still surface after so many years. One Reddit user commented, “It’s incredible that nearly 23 years later, new footage is still coming to light.”
The Historical Importance of the Footage

The release of this footage highlights the value of preserving historical records. As one online commenter reflected, “It makes you wonder how much history is sitting in people’s attics or basements, waiting to be discovered.” This video not only provides a new visual account of the events of 9/11 but also strengthens the collective memory of an event that has defined the 21st century.
Conclusion: Preserving a Legacy

Kei Sugimoto’s decision to release this footage contributes a unique piece to the complex story of 9/11. The fresh perspective offers future generations a new visual understanding of the Twin Towers’ collapse, ensuring the events of that day remain vividly remembered. As the footage continues to circulate, it serves as a historical document and a stark reminder of the lasting impact of 9/11.
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