An audience member during a recent episode of the ABC show “The View” called Whoopi Goldberg an “old broad.” It happened on Wednesday’s show when Goldberg and her cohosts took their seats to begin the show and the audience member shouted the words and Goldberg was taken aback.
We’re happy to see ya’ll. Cool, well, go on and have a seat, she said before addressing the heckler.
“Did you just call me an old broad? Yeah?” the 67-year-oId actress said to the heckler.
The camera then showed a woman who was wearing a large fur hat.
“She said, ‘You old broad,’ and I was like, hey, it’s Wednesday, and I am an old broad, and happy about it,” the host said before cohost Sunny Hostin said that being an “old broad” was better than “the alternative.”
The aIternative is not attractive to any of us, the stress said. “We all want to be old broads and old dudes, you know? The show’s cameras continued to show the woman again and again for the entire episode.
Goldberg caused controversy in December after making controversial statements again.
She had to apologize again for the comments she made about the Holocaust. As she was promoting her new movie “Till,” about a young black child who was viciously mur**red by a gang of white men in 1955, she was asked by a reporter about the comments she made on the show.
Earlier this year, Goldberg was suspended from “The View” for claiming the Holocaust was not about race. She apoIogized for the comments but in a new interview with the U.K. paper The Sunday Times, it appears her apology may not have been sincere.
“Remember who they were k!lling first. They were not killing racial; they were k*lling physical. They were k*lling people they considered to be mentally defective. And then they made this decision,” the actress said.
Journalist Janice Turner explained to Goldberg, whose real name is Caryn Elaine Johnson, that there were race laws the Nazis created against Jews and said that “Nazis saw Jews as a race.”
“Yes, but that’s the killer, isn’t it? The oppressor is telling you what you are. Why are you believing them? They’re Nazis. Why believe what they’re saying?” she said.
“It doesn’t change the fact that you could not tell a Jew on a street,” she said. “You could find me. You couIdn’t find them.”
“But you would have thought that I’d taken a big oId stinky dump on the table, butt naked,” she said, in reference to her comments that got her suspended from “The View.”
My best friend said, ‘Not for nothing is there no box on the census for the Jewish race. So that leads me to believe that we’re probably not a race, she said. But on Tuesday, a representative for Goldberg sent a press release that showed the host apologizing for the comments.

He Was the Rifleman, Now Chuck Connors’ Secrets Come to Light
Chuck Connors, a name linked with vintage Western television, rose to fame as a result of his memorable performance as “The Rifleman’s” Lucas McCain. The transformation of Connors from athlete to actor is amazing and motivating. His initial success came in the sports industry. He was born in 1921. His brief but unforgettable MLB career began in 1940 when the Brooklyn Dodgers recognized his baseball potential.

But it didn’t take him long to feel the need to act. Connors entered the movie business in the early 1950s, and his breakout performance came in the 1952 picture “Pat and Mike.” However, his role as McCain in “The Rifleman,” which debuted in 1958, is what really solidified his reputation on television. In the role of McCain, Connors embodied the physicality and emotional depth of a dedicated rancher from New Mexico. He gave the role his all, whether it was performing stunts or learning how to ride a horse. The authentic relationship he had with his on-screen son, Johnny Crawford, was one of the show’s highlights.
Beneath his heroic façade on television, Connors had a difficult personal life. His on-screen portrayal as the perfect parent figure stood in stark contrast to his real-life troubles. The guy behind the character became more complex as a result of his multiple marriages and extramarital encounters. Connors’ clean TV appearance was further undermined by the obvious age difference in his personal connections.
Connors was notable in Hollywood for his political views as well. He openly backed politicians like Ronald Reagan and Richard Nixon, in contrast to many of his liberal Hollywood contemporaries. Because of this, he stood out both on and off screen.

It was difficult for Connors to get rid of Lucas McCain’s shadow when “The Rifleman” concluded. He tried his hand at a number of TV and movie roles, but none of them was as memorable as McCain. He brought the cherished character back for a short while in a 1991 TV film around the tail end of his career. Regretfully, he lost his fight with lung cancer and died at the age of 71 in 1992.
Chuck Connors had a great career and personal life, but he also left a lasting legacy in entertainment. He has a star on the Hollywood Walk of Fame in recognition of his contributions to vintage westerns and the Golden Age of Television. Despite his share of flaws, Connors’ genuine decency and enduring influence on screen guarantee his position in television history.
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