The quietude of Elm Street, once a symphony of birdsong and gentle laughter, had been shattered. The arrival of the new neighbors, the Morlocks, had thrown the idyllic tranquility of their little community into chaos.
Initially, I had tried to be welcoming. A plate of freshly baked cookies, a warm smile, a friendly “Welcome to the neighborhood!” But my overture had been met with a chilling silence. The woman who answered the door, pale and gaunt, had regarded me with a suspicion that bordered on paranoia. “Ew, it smells awful,” she had muttered, her eyes darting nervously around as if I were some sort of disease.
Then came the fountain. A monstrosity of wrought iron and gargoyles, it stood imposingly in their yard, a constant, jarring presence. The incessant gurgling and splashing, day and night, had become the soundtrack to our lives. Sleep became elusive, replaced by the monotonous drone of the water.
The neighborhood, once a haven of peace and camaraderie, was now a battleground. Tempers flared. Arguments erupted at the weekly community meetings. Finally, a vote was taken – a unanimous decision to request the removal of the fountain.
And so, the unenviable task of filing the official complaint fell to me. I, the self-proclaimed peacemaker, the neighborhood’s unofficial ambassador of goodwill, was now the bearer of bad tidings.
That evening, as I returned home, a small, ominous package lay on my doorstep. No return address. A shiver ran down my spine.
Inside, a single sheet of paper, scrawled with menacing handwriting:
“I KNOW YOUR SECRET. YOU WILL BE POLITE TO YOUR NEW NEIGHBORS, OR EVERYONE WILL KNOW.”
Fear, cold and clammy, gripped me. Who was it? The Morlocks? Or someone else, someone watching, someone waiting for the right moment to strike?
The following days were a blur of paranoia and unease. I checked every window and door lock multiple times a night. I slept with the light on, the faintest sound sending shivers down my spine. My once peaceful neighborhood had transformed into a place of fear and suspicion.
The police, after much persuasion, agreed to investigate. They questioned the Morlocks, of course, but they denied any involvement. The woman, her face gaunt and drawn, maintained her innocence, claiming she was simply trying to enjoy her own property.
The investigation yielded nothing. No fingerprints, no witnesses, no concrete evidence. The threat remained, a chilling reminder of the darkness that lurked beneath the surface of our seemingly idyllic community.
I started carrying a small can of pepper spray, my hand instinctively reaching for it at every rustle of leaves, every unfamiliar sound. I avoided going out alone at night, my days filled with a constant sense of unease.
The incident had changed me. The once friendly, outgoing neighbor was now withdrawn, suspicious, constantly scanning the shadows for signs of danger. The peace and tranquility of Elm Street, shattered by the arrival of the Morlocks, had been replaced by a chilling sense of fear and uncertainty.
And the fountain, that monstrous, discordant symbol of their arrival, continued to spew its icy water, a constant reminder of the darkness that had seeped into the heart of their once idyllic community.I COMPLAINED ABOUT MY NEW NEIGHBORS’ HORRIBLE FOUNTAIN & RECEIVED A THREATENING NOTE FROM THEM.
If you see a man with one painted fingernail, here’s what it means
When Elliot Costello and a group of other people visited Cambodia, he had an encounter with a young girl named Thea.
Little did Elliot know that this encounter would have an impact so profound on him that it would help start a movement whose goal is to end sexual abuse against children.
Namely, Thea always had nail polish on her tiny nails. One day, as she and Elliot chatted, she asked to paint one of his nails. He agreed and was happy to speak to the chatty girl, but he then learned that she was once a victim of sexual abuse.
“As she painted one of my nails, I assured her I would always keep it that way to remember her, and by extension, her suffering,” Elliot said.
This motivated Elliot to try and make positive change among men so that less and less children fall victims of sexual abuse.
That is when he came up with the movement called #PolishedMan where men put nail polish on one of their nails. That one nail represents the one in five children who will be victims of sexual violence.
Polished Man works towards ending sexual violence against children. According to the organization, “being a Polished Man means challenging violent behavior and language, both locally and globally.”
Elliot believes that since men are responsible for 96% of this type of violence against children globally, they should be catalyst for change if we are ever to see an end to the abuse of innocent children.
The goal with the painted nail isn’t just to remind people of the number of children who are abused every single day, but to serve as a conversation starter about this reality, leading to new ideas about prevention. He also hopes that people will start donating to “support educational programs and resources for child survivors of abuse,” as per APlus.
We hope that more men, including celebrities would be willing to join this movement.
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