Elon Musk is never one to pull punches, even when he’s in a good mood, and now that advertisers are boycotting X, he’s not in a good mood and is certainIy not pulling punches.
Such was obvious when, on Wednesday, Elon appeared at The New York Times’ DealBook/Summit with CNBC’s Andrew Ross Sorkin.
There, Elon directly confronted the group of companies engaging in the ad boycott of X, Go f -k yourself. That came when Elon was discussing the nature of the economic attack on X and argued, quite persuasiveIy, that it is coming to be difficult for them to threaten him, one of the wealthiest men on Earth, with money.
Speaking to Sorkin about the issue, Musk said, “I hope they stop. Don’t advertise. If somebody is going to try to blackmail me with advertising, blackmail me with money, go fuck yourself. Go f -k yourself. Is that clear? I hope it is.”
Elon then went on to single out Disney CEO Bob Iger, who said that he does not want Disney to be affiIiated with Musk and his comments and whose company stopped advertising on X. Directing his comment toward Iger, Musk said, Hey Bob, if you’re in the audience.
Musk also commented, during the event, on a tweet he made that some called anti-Semitic, saying, I shouId in retrospect should not have replied to that one person.
He added, Essentially I handed a loaded gun to those who hate me, and arguably to those are antisemitic, and for that I’m quite sorry. That was not my intention.
He Was the Rifleman, Now Chuck Connors’ Secrets Come to Light
Chuck Connors, a name linked with vintage Western television, rose to fame as a result of his memorable performance as “The Rifleman’s” Lucas McCain. The transformation of Connors from athlete to actor is amazing and motivating. His initial success came in the sports industry. He was born in 1921. His brief but unforgettable MLB career began in 1940 when the Brooklyn Dodgers recognized his baseball potential.
But it didn’t take him long to feel the need to act. Connors entered the movie business in the early 1950s, and his breakout performance came in the 1952 picture “Pat and Mike.” However, his role as McCain in “The Rifleman,” which debuted in 1958, is what really solidified his reputation on television. In the role of McCain, Connors embodied the physicality and emotional depth of a dedicated rancher from New Mexico. He gave the role his all, whether it was performing stunts or learning how to ride a horse. The authentic relationship he had with his on-screen son, Johnny Crawford, was one of the show’s highlights.
Beneath his heroic façade on television, Connors had a difficult personal life. His on-screen portrayal as the perfect parent figure stood in stark contrast to his real-life troubles. The guy behind the character became more complex as a result of his multiple marriages and extramarital encounters. Connors’ clean TV appearance was further undermined by the obvious age difference in his personal connections.
Connors was notable in Hollywood for his political views as well. He openly backed politicians like Ronald Reagan and Richard Nixon, in contrast to many of his liberal Hollywood contemporaries. Because of this, he stood out both on and off screen.
It was difficult for Connors to get rid of Lucas McCain’s shadow when “The Rifleman” concluded. He tried his hand at a number of TV and movie roles, but none of them was as memorable as McCain. He brought the cherished character back for a short while in a 1991 TV film around the tail end of his career. Regretfully, he lost his fight with lung cancer and died at the age of 71 in 1992.
Chuck Connors had a great career and personal life, but he also left a lasting legacy in entertainment. He has a star on the Hollywood Walk of Fame in recognition of his contributions to vintage westerns and the Golden Age of Television. Despite his share of flaws, Connors’ genuine decency and enduring influence on screen guarantee his position in television history.
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