Woman reveals her “new face” after undergoing 43 surgeries to make her appear like a Barbie doll. Dalia Naeem, 29, from Baghdad, reportedly spent thousands changing her appearance so that it resembled that of the legendary character.
Some people have referred to her as the “Iraqi Barbie” because of her golden hair and striking features.
In a recent video, the host and actress debuted her new style, prompting comments like “Zombie” and “Devil Barbie” from viewers.
Dalia appears to have captured the attention of many people, as evidenced by the fact that she has over 996,000 Instagram followers and an additional 43,900 on TikTok.
Dalia was posing with her makeup artist, who said in front of the camera, “You look so beautiful, my dear.”The phrase “like Barbie.”
Dalia, who has a big mouth and a tiny nose, remarks, “Your makeup is Barbie.” The social media sensation may have undergone several cosmetic procedures recently, including lip fillers and breast augmentations.
Dalia is an actress and TV host who has achieved popularity in her home nation. She resides in Baghdad, Iraq’s Adhamiyah neighbourhood. Here is how she appeared prior to her surgery.
Her Son Identifies As A Cat And Mom Is Upset The Vet Won’t Treat Him
Amidst the cacophony of the internet’s viral sensations, one peculiar video has captured the attention of global audiences. In this digital age where information spreads like wildfire, a seemingly ordinary American woman has become an unexpected protagonist in a narrative that challenges conventional notions of identity and societal norms.
The video, disseminated by a British commentator who ominously forewarned of societal collapse, features the American woman candidly sharing her perplexing ordeal. She reveals that her son, with an earnest conviction, identifies as a cat. What ensues is a discourse that traverses the boundaries of rationality, sparking debates on the fringes of acceptance and skepticism.
At the heart of the controversy lies the woman’s lamentation: despite her son’s steadfast identification as a feline, a veterinarian purportedly denied treatment, citing the undeniable reality of his human anatomy. It is this clash between subjective identity and objective reality that forms the crux of the woman’s grievance, casting a spotlight on the intricacies of discrimination and inclusion.
For the woman, her son’s assertion of being a cat transcends mere whimsy; it is a fundamental aspect of his being that warrants recognition and accommodation. In her impassioned plea for understanding, she asserts that her son’s self-professed identity should afford him the same rights and privileges as any other member of society. To her, the denial of veterinary care based on his human physiology is tantamount to discrimination—a stark reminder of the pervasive biases that persist in our ostensibly progressive world.
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