I was beyond exhausted—the kind of tired that makes you question if you’ve brushed your teeth or remembered to feed the dog.
Ever since the twins were born, my days had blurred into a never-ending cycle of diaper changes, feeding schedules, and sleepless nights. The last thing I needed was another problem to deal with. But when I stepped outside that morning, I found my car completely covered in eggs.
At first, I thought it was a random prank. Who wouldn’t? Halloween was around the corner, and maybe some kids had gotten a little too excited. I sighed, too tired to even be upset, and grabbed a sponge and bucket, ready to clean up the mess.
But just as I started scrubbing, my neighbor Brad came strutting over with that smug grin of his.
“That was me,” he said, almost proudly. “Your car was ruining the view of my Halloween decorations.”
I blinked at him, trying to process his words through the fog of exhaustion. My car? Ruining his view? His ridiculous display of plastic skeletons, fake cobwebs, and oversized pumpkins?
Furious, but too tired to even start an argument, I just nodded, biting back the urge to say something I might regret. I didn’t have the energy for a confrontation, but in that moment, I silently promised myself that I’d find a way to teach Brad a lesson.
He had no idea who he was messing with.
Don’t get me wrong, Lily and Lucas were my sweet little babies, but taking care of two newborns mostly by myself was incredibly hard. I hadn’t slept a full night in months. Halloween was coming, and the whole neighborhood was excited—except me.
I didn’t have the energy to decorate, let alone get into the festive spirit.
Then, there was Brad.
Brad took Halloween way too seriously. Every year, he turned his house into a huge haunted attraction with gravestones, skeletons, big jack-o’-lanterns, and more.
He loved the attention and would smile proudly whenever someone complimented his decorations.
The entire block loved it, but I was too exhausted to care about Brad’s haunted house.
One October morning, things started to fall apart.
I went outside, carrying Lily on one hip and holding Lucas in my arm, when I noticed something. My car was covered in eggs! The eggshells were stuck to the gooey mess, dripping down the windshield like some gross breakfast gone wrong.
“Are you serious?” I muttered, staring at the mess.
The night before, I had parked in front of Brad’s house. I didn’t have much choice since it was easier to park closer to my door with the twins’ stroller.
At first, I thought it was a prank. But when I saw egg splatters near Brad’s porch, I knew it had to be him.
Brad had done this.
Even though he didn’t own the street, Brad acted like he controlled the curb during Halloween.
Furious, I marched over to his house and knocked on the door, maybe harder than I should have, but I didn’t care anymore.
“What?” Brad opened the door with his usual smug expression, crossing his arms.
His house was already decorated. There were cobwebs, plastic skeletons, and a witch sitting on a chair. It was all too much.
I wasted no time. “Did you see who egged my car?”
Without blinking, Brad replied, “I did it. Your car was blocking the view of my decorations.”
I stared at him in disbelief. “You egged my car because it was parked in front of your house? You didn’t ask me to move it—you just trashed it?”
He shrugged like it was no big deal. “How can people see my display if your car is in the way?”
I couldn’t believe what I was hearing. “Are you serious?”
Brad nodded, still looking pleased with himself. “I’m the Halloween King. People come from all over to see my decorations. You’re always parked there. It’s inconsiderate and ruins the vibe.”
I was juggling two newborns, barely holding it together, and he was talking about ruining the vibe?
“Well, sorry if my life interferes with your spooky setup,” I snapped. “I’ve got newborn twins, Brad.”
“I know,” he said, leaning against the doorframe. “Maybe park somewhere else.”
“I park there because it’s easier with the babies and the stroller!”
Brad shrugged again. “Not my problem. You can park there after Halloween.”
I stood there, speechless, my anger boiling inside. But being so tired, I couldn’t even argue anymore.
“Fine,” I snapped, and stormed back inside, shaking with anger and disbelief.
As I washed the egg off my car, something clicked. Brad wasn’t just an annoying neighbor—he was a bully. And I had had enough. If he wanted to play dirty, fine. I could play smarter.
Later that night, while rocking Lily to sleep, an idea hit me. Brad’s weakness was his pride. He needed his haunted house to be the best. I didn’t have the energy for a fight, but revenge? That, I could handle.
The next day, I casually strolled over to Brad’s yard while he was adding more decorations.
“Hey, Brad,” I said, faking cheerfulness. “I’ve been thinking. It was inconsiderate of me to block your display. Have you thought about upgrading it?”
He looked suspicious. “Upgrade?”
“Yeah, with things like fog machines or ghost projectors. Your setup is great, but those would really impress people.”
His eyes lit up. I knew I had him.
I suggested brands I had researched—terrible machines with awful reviews. But he didn’t need to know that.
“You think so?” he asked, already planning his next move.
“Oh, definitely. You’d be the talk of the neighborhood.”
Satisfied, I walked away, waiting for Halloween.
When Halloween night came, Brad’s house looked like a scene from a horror movie. He had gone all out, as I expected.
Crowds gathered to admire his setup, and Brad was in the middle of it, enjoying the attention.
I watched from my porch, feeling like a villain in a movie. His display looked impressive—until it didn’t.
Right on cue, the fog machine sputtered and started spraying water like a garden hose. The crowd gasped, and kids laughed.
Brad rushed to fix it, but then his ghost projector malfunctioned. Instead of a spooky ghost, it showed a strange blob, making the kids laugh even more.
Then, one of his giant inflatables collapsed, rolling across the yard. Some teenagers, seeing the disaster, threw eggs at his house for fun.
Brad was frantic, running around trying to save his haunted house, but it was too late. His Halloween display had turned into a joke.
The next morning, just as I was feeding Lucas, there was a knock at the door. Brad stood there, looking defeated.
“I, uh, wanted to apologize,” he mumbled. “I overreacted.”
I crossed my arms, waiting. “Yeah, you did.”
He shifted uncomfortably. “I didn’t realize how hard it must be with the twins. I’m sorry.”
I let him squirm for a bit. “Thanks for apologizing, Brad. I’m sure it won’t happen again.”
He nodded quickly. “It won’t.”
As he turned to leave, I couldn’t help but add, “Funny how things work out, huh?”
Brad had no response.
See 1970s icon Faye Dunaway now at 83
Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.”
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
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