One of the last surviving stars of classic Hollywood has passed away: Mitzi Gaynor, the vibrant actress, singer and dancer who starred in South Pacific and other golden age musicals, has died at 93.
Gaynor’s managers managers Rene Reyes and Shane Rosamonda confirmed the news to AP, saying that the actress died of natural causes in Los Angeles.
“As we celebrate her legacy, we offer our thanks to her friends and fans and the countless audiences she entertained throughout her long life,” they said in a statement.
“Your love, support and appreciation meant so very much to her and was a sustaining gift in her life.”
Born September 4, 1931 in Chicago, Gaynor began singing and dancing from a young age and signed a contract with Twentieth Century Fox at 17. After making her debut in 1950’s My Blue Heaven, she quickly rose to become a star.
One of classic Hollywood’s biggest “triple threats,” Gaynor’s singing, dancing and acting talents, combined with her energy and charm, made her a big draw in many hit musical films of the era, and she co-starred with some of the biggest movie stars. Her memorable films include There’s No Business Like Show Business, Anything Goes, Bloodhounds of Broadway and Les Girls.
But Gaynor is best known for starring in the 1958 film South Pacific, the big-screen adaptation of the beloved Rodgers and Hammerstein musical.
In the lead role of Nellie Forbush, Gaynor performed classic numbers like “I’m Gonna Wash That Man Right Outa My Hair,” “A Cockeyed Optimist” and “A Wonderful Guy.” She received a Golden Globe nomination for her performance.
Gaynor made her last film appearance in 1963, but she reinvented herself as a live performer, to great success. Throughout the ’60s and ’70s, her act was a major draw in Las Vegas, and she had a series of lavishly produced television specials. She continued performing into her senior years.
Rest in peace to Mitzi Gaynor, one of the last surviving stars of golden age Hollywood who will always be remembered for her unforgettable performances in musicals like South Pacific.
Please share this story in memory of this show biz icon ❤️💔
My Stepmom Told Me to Wash Dishes After Her Birthday Party Because I Didn’t Gift Her a Dishwasher – Karma Hit back for Her Audacity
The story you’ve shared is filled with relatable family drama, with Mia finding herself caught between her overbearing stepmother, Trudy, and her more lenient father. It perfectly captures that “wicked stepmother” vibe, but with a modern twist—entitled requests and over-the-top parties that anyone could see happening in real life. The cosmic smackdown Trudy receives when her own actions (dumping oils in the sink) backfire seems like the perfect moment of karmic justice, and Mia’s reaction adds a humorous tone to the narrative.
The father stepping in to ensure Mia gets her prom dress money is a touching moment, balancing out Trudy’s unreasonable expectations. It’s also refreshing to see that Trudy, despite her flaws, tries to patch things up at the end, even if we’re left wondering how long that change of heart will last.
Mia’s inner monologue is super relatable, especially for teens dealing with over-the-top parental expectations and difficult family dynamics. The contrast between her and Trudy’s worlds—the prom vs. the dishwasher—feels like the classic struggle of teenager vs. adult priorities, heightened by Trudy’s self-centeredness.
As for the second story teaser, it looks like Emily’s prom day is headed for more drama, with a scheming stepmother, Carla, trying to ruin her moment. Both stories seem to revolve around stepmoms with boundary issues, but the empowerment that comes from overcoming these challenges gives them a satisfying and almost cathartic feel.
What part of the story resonated most with you?
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