Tori Spelling’s time on “Dancing with the Stars” ended sooner than many fans expected, leaving them feeling disappointed. However, the actress is choosing to see her elimination in a positive light, feeling grateful and empowered by the experience.
This week on “Dancing with the Stars,” it was a big emotional moment as Tori Spelling became the latest celebrity to leave the competition.
The actress and her professional partner, Pasha Pashkov, danced a touching rumba to “This Is Me” from “The Greatest Showman.” Their performance was filled with emotion and showcased their connection on the dance floor.
Their routine received a score of 19 out of 30, bringing their total to 36 over two weeks. Unfortunately, this wasn’t enough to keep Spelling in the competition. Her elimination surprised the audience and left fans with mixed feelings about the outcome.
On the other hand, Chandler Kinney and Brandon Armstrong captivated everyone with their stunning rumba to Billie Eilish’s “What Was I Made For.”
Judge Carrie Ann Inaba was so touched that she cried, praising them by saying, “You created some moments that really touched us all. When dance can reach inside and pull at our heartstrings like that, it’s incredibly powerful.”
Still, Spelling expressed her belief that everything happens for a reason and that her time on the show happened just as it was meant to. Even though her stay was short, she called the experience amazing.
Feeling thankful for the chance to be on the show, Spelling shared how “Dancing with the Stars” changed her for the better. She mentioned that the experience boosted her confidence and helped her believe in herself more.
Tori Spelling’s departure has definitely split opinions among fans, but as the saying goes, the show must go on! The competition is getting tougher, and with more surprising eliminations expected, this season of “Dancing with the Stars” is set to be an exciting journey.
Anita Ekberg: The Swedish Star Who Captivated Hollywood
Born on September 29, 1931, in Malmö, Sweden, Anita Ekberg grew up in a modest household as the sixth of eight children. Though her early years gave little hint of the international fame that awaited her, her striking beauty set her apart from an early age.
Her journey to stardom began in 1950 when she won the title of Miss Sweden. While she didn’t take home the Miss Universe crown, her participation in the pageant proved to be a turning point. The exposure brought her to Hollywood, where her captivating presence quickly caught the eye of industry insiders. This newfound recognition opened doors in modeling and acting, setting the stage for her entertainment career.
Breaking into Hollywood
Ekberg’s Hollywood debut came in the mid-1950s with supporting roles in films such as Blood Alley (1955), where she appeared alongside John Wayne and Lauren Bacall, and the comedy Artists and Models (1955), starring Dean Martin and Jerry Lewis. Her Nordic beauty and statuesque elegance earned her the nickname “The Iceberg,” reinforcing her image as a classic Hollywood bombshell. Popular media, including Playboy, frequently featured her, further cementing her status as a pop culture sensation.
La Dolce Vita and Global Stardom
However, it was her role in Federico Fellini’s La Dolce Vita (1960) that made her an international icon. Her portrayal of Sylvia, the enchanting yet elusive starlet, captured the essence of celebrity allure and mystery. The film’s most legendary moment—Ekberg wading through Rome’s Trevi Fountain in a flowing black gown—became one of the most enduring images in cinematic history.
Despite the worldwide recognition La Dolce Vita brought her, the role also led to typecasting, with many directors offering her parts that emphasized her glamorous persona. While this limited her opportunities for more diverse roles, Ekberg embraced the fame it afforded her, understanding the power of the image she had cultivated.
Life in Italy and Career Beyond Hollywood
Choosing to remain in Italy after her rise to stardom, Ekberg found greater creative freedom outside Hollywood’s constraints. She appeared in notable European films such as Boccaccio ’70 (1962), an anthology featuring works by Fellini and Vittorio De Sica, and 4 for Texas (1963), where she reunited with Dean Martin and Frank Sinatra. Though filmmakers often cast her in roles that leaned into her seductive image, she maintained a strong presence in European cinema, solidifying her legacy as a screen siren of her era.
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