The hot weather and high temperatures can have a range of effects on people’s everyday life. It is widely known that prolonged exposure to heat can lead to heatstroke, which is why it is recommended to avoid being under direct sunlight for longer periods of time. At the same time, it is essential to stay hydrated and limit strenuous activities during the hottest parts of the day.
This weather can also significantly increase the risk of fires.
Dry heat, strong winds, and low humidity represent ideal conditions for a fire to start. One way of accidentally starting a fire is by leaving water bottles inside a vehicle during high heat. The reason why is that the bottles, especially if they are translucent, can act as magnifying lenses if exposed to high temperatures, focusing sunlight and creating concentrated beams of light.
When light enters a clear or translucent bottle, it can be focused and intensified into a concentrated heat spot. This concentrated heat can build up on nearby flammable materials, like paper or fabric, and potentially ignite them, leading to a fire withing minutes.
This is why firefighters urge people not to leave water bottles inside their vehicle.
In July 2017, Dioni Amuchastegui, a battery technician with Idaho Power, noticed smoke emerging from beneath the center console of his truck during his lunch break.
“At first I thought it was dust, but the window was rolled up so there was no wind,” he shared with Today. “Then I noticed that light was being refracted through a water bottle and it was actually smoke.”
Amuchastegui was quick to get rid of the bottle and prevent fire from starting.
He told his story to his colleagues at Idaho Power and they came up with the idea of filming a video and warning people of the potential dangers of a simple act of leaving a water bottle inside the car when the temperatures are high.
Anita Ekberg: The Swedish Star Who Captivated Hollywood
Born on September 29, 1931, in Malmö, Sweden, Anita Ekberg grew up in a modest household as the sixth of eight children. Though her early years gave little hint of the international fame that awaited her, her striking beauty set her apart from an early age.
Her journey to stardom began in 1950 when she won the title of Miss Sweden. While she didn’t take home the Miss Universe crown, her participation in the pageant proved to be a turning point. The exposure brought her to Hollywood, where her captivating presence quickly caught the eye of industry insiders. This newfound recognition opened doors in modeling and acting, setting the stage for her entertainment career.
Breaking into Hollywood
Ekberg’s Hollywood debut came in the mid-1950s with supporting roles in films such as Blood Alley (1955), where she appeared alongside John Wayne and Lauren Bacall, and the comedy Artists and Models (1955), starring Dean Martin and Jerry Lewis. Her Nordic beauty and statuesque elegance earned her the nickname “The Iceberg,” reinforcing her image as a classic Hollywood bombshell. Popular media, including Playboy, frequently featured her, further cementing her status as a pop culture sensation.
La Dolce Vita and Global Stardom
However, it was her role in Federico Fellini’s La Dolce Vita (1960) that made her an international icon. Her portrayal of Sylvia, the enchanting yet elusive starlet, captured the essence of celebrity allure and mystery. The film’s most legendary moment—Ekberg wading through Rome’s Trevi Fountain in a flowing black gown—became one of the most enduring images in cinematic history.
Despite the worldwide recognition La Dolce Vita brought her, the role also led to typecasting, with many directors offering her parts that emphasized her glamorous persona. While this limited her opportunities for more diverse roles, Ekberg embraced the fame it afforded her, understanding the power of the image she had cultivated.
Life in Italy and Career Beyond Hollywood
Choosing to remain in Italy after her rise to stardom, Ekberg found greater creative freedom outside Hollywood’s constraints. She appeared in notable European films such as Boccaccio ’70 (1962), an anthology featuring works by Fellini and Vittorio De Sica, and 4 for Texas (1963), where she reunited with Dean Martin and Frank Sinatra. Though filmmakers often cast her in roles that leaned into her seductive image, she maintained a strong presence in European cinema, solidifying her legacy as a screen siren of her era.
Leave a Reply