Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
How Elizabeth Taylor brought paparazzi to their knees at the 1970 Oscars
The 42nd Academy Awards in 1970 was a night filled with glamor, but one star undoubtedly shone brighter than all the others.
At just 38, Elizabeth Taylor was at the height of her beauty, and her fabulous gown and the world-famous diamond sparkling around her neck made the night special.
However, behind the scenes, a heartbreaking loss threatened to overshadow proceedings…
Looking back at old Oscars ceremonies is like stepping into a time machine that whisks you away to an era filled with glamor and grace. Honestly, the stars of that time had more class in their little fingers than many of today’s so-called celebrities combined.
I can’t help but feel a wave of nostalgia wash over me. It’s bittersweet to gaze upon these iconic figures, so many of whom are no longer with us. To me, it serves as a stark reminder of how fleeting life truly is — a short, beautiful journey we should cherish every moment of.
An historic night
The 1970 Academy Awards was a memorable evening for many reasons, most notably its lack of an official host.
It also marked a groundbreaking moment in Oscars history, as it was the first ceremony broadcast via satellite to an international audience.
One of the night’s most iconic moments was Cary Grant receiving the Academy Honorary Award. The audience erupted into thunderous applause, a heartfelt tribute to his timeless appeal and remarkable legacy in film.
On the other hand, John Wayne’s acceptance speech for Best Actor for his role in True Grit also stole the emotional spotlight. The legendary American icon delivered a humble and gracious speech, showcasing his genuine appreciation for the honor.
Yet, the evening wasn’t without its controversies. Many still debate that the biggest robbery in Oscars history occurred when Dustin Hoffman was overlooked for his breathtaking performance in Midnight Cowboy. Many might argue that John Wayne received the statue for his long and loyal service to the film industry, and perhaps there’s some truth to that as well.
Sinatra saved Cary Grant
Looking back at the archives, it’s clear that Cary Grant played a starring role during the 1970 Oscars. As the legendary actor took the stage to accept the Academy Honorary Award, he naturally expected some applause — a simple courtesy.
When the audience gave him a standing ovation, he was on the verge of tears.
”When everyone stood up, I was all at sea. I thought for a moment I was seeing things. I was so taken aback that I don’t know how I delivered my acceptance speech,” he later recalled.
Grant was on the brink of breaking down, overcome by the emotion of the moment. But just then, he spotted Frank Sinatra in the crowd, his eyes twinkling with a mischievous spark, and that quick glance was all it took to steady him.
”It pulled me together,” Grant said.
Elizabeth Taylor’s entrance
But let’s be honest, the real star of the 1970 Oscars wasn’t Cary Grant, Dustin Hoffman, or even John Wayne. As remarkable as they were, it was a 38-year-old beauty who truly stole the spotlight, captivating everyone at the Dorothy Chandler Pavilion in Los Angeles, California.
When Elizabeth Taylor stepped onto the stage to present the award for Best Picture, her entrance was nothing short of mesmerizing.
Her kindness and generosity contrasted sharply with the cutthroat nature of Hollywood. “Liz Taylor, no one ever as beautiful,” people would say, and it was true.
There was a genuine aura about her that drew people in.
Dressed in a stunning gown that hugged her tiny waist and highlighted her natural beauty — sans the heavy tan that was popular at the time — she left everyone in awe at 42nd Academy Awards.
And with her world-famous 69-carat Cartier diamond sparkling around her neck, it was clear that Elizabeth was not just an actress; she was an icon.
The truth about her diamond
Looking closely at the photos of Taylor from that night, it’s hard not to be captivated by the magnificent jewel around her neck.
Yet, few may know the story behind this iconic piece of jewelry. The Taylor-Burton Diamond, which glittered so beautifully against her skin, wasn’t just a glamorous accessory — it was a symbol of love, determination, and a bit of Hollywood drama.
Just days before April 7, 1970, the date of that year’s Oscars, the press was buzzing with anticipation, speculating on what Elizabeth Taylor would wear to the glamorous event.
Rumors swirled that she planned to dazzle the audience with her million-dollar diamond, newly set in a stunning necklace. For the privilege of showcasing this gem, Taylor reportedly paid a $2,500 insurance premium to three Australian companies — equivalent to about $20,250 today.
This iconic piece, known as the Taylor–Burton Diamond, weighed in at a breathtaking 68 carats and was a gift from her husband, actor Richard Burton.
A raving maniac
The original rough diamond, discovered in 1966 at the Premier Mine in South Africa, weighed 241 carats. Burton acquired the diamond during a visit to London, though not without a fight. Initially, the jeweller manufacturer Cartier had won the diamond at auction for a record-breaking $1,050,000, leaving Burton as the underbidder.
Furious over his loss, Burton turned into a raving maniac.
”I was going to get that diamond if it cost me my life or 2 million dollars, whichever was greater,” he declared.
Elizabeth, however, remained calm.
”Elizabeth was as sweet as only she could be and protested that it didn’t matter, that she didn’t mind if she didn’t have it, that there was much more in life than baubles, that she would manage with what she had,” Burton later wrote in his diary.
The day after the auction, Burton spent hours at a payphone in his London hotel, working with his lawyers to secure the funds to buy the diamond from Cartier — no matter the cost.
Their determination paid off, and the following day, the diamond was officially theirs for $1.1 million.
”I wanted that diamond because it is incomparably lovely … and it should be on the loveliest woman in the world,” Burton later said, cementing this iconic gem’s place in Hollywood history.
Bob Hope joke about Elizabeth Taylor
Comedian Bob Hope led some of the humorous presentation of films and actors nominated for the 42nd Academy Awards, bringing his signature wit to the evening.
As he acknowledged the distinguished guests in attendance, he quipped about Taylor, saying, ”I know Miss Taylor is here. I saw a Brinks truck parked outside.”
Richard Burton couldn’t help but chuckle at the clever nod to his wife’s exquisite collection of jewels.
The truth about her dress
The moment Elizabeth Taylor stepped onto the red carpet at the 1970 Academy Awards, it was as if time stood still.
The first thing that captured attention was the stunning color of her dress: a mesmerizing cornflower blue that danced between violet and lilac hues with every shift in the light — and the hundreds of flashing cameras capturing her every move.
The dress wasn’t just a piece of fabric; it was a masterpiece designed by Edith Head, meant to accentuate every inch of Taylor’s radiance.
For starters, the color choice wasn’t a coincidence. Designed by the iconic Edith Head, the gown’s shade was carefully selected to match Taylor’s own mesmerizing eyes. Taylor herself collaborated with Head, seeking an updated version of the dress she wore in the 1951 film A Place in the Sun.
The gown was more than just a fashion statement; it was a work of art. The plunging neckline perfectly framed the Taylor-Burton diamond, allowing the necklace to shine while accentuating her newly slim figure.
“It is designed to show off Elizabeth’s new, thin figure. It’s a soft, floaty, romantic chiffon. Over it, she has a soft, stole-cape to the floor in chiffon with a hood,” Edith Head told AP.
It was a look that would become etched in Oscars history, forever tied to the elegance and allure of Elizabeth Taylor.
Took a 10 minute bath
On the day of the event, Taylor’s beauty routine was reportedly refreshingly simple.
The celebrated movie star didn’t follow an elaborate skincare regimen; instead, she used a basic drugstore moisturizer.
Although she enjoyed doing her own makeup, she worked with a professional makeup artist for important occasions like the Oscars. Taylor favored a sheer foundation and soft blush, often using cake eyeliner for her eyes. Interestingly, she never wore false lashes, as she was naturally blessed with a double set of lashes.
”Elizabeth took a 10 minute bath at the end of her makeup application, to help set her makeup and relax a bit before the event,” a rep for House of Taylor told AOL.
Cried backstage
The celebrated star, one of the last of classical Hollywood cinema, had an important role during the 1970 Oscars — she was there to present the coveted Best Picture award.
However, chaos reigned behind the scenes.
Moments before her appearance, Richard Burton had just suffered a heartbreaking defeat, losing the Best Actor award to John Wayne. This marked the sixth time Burton had been nominated without clinching the iconic golden statuette, and the news hit Taylor like a thunderclap.
Devastated, she broke down in tears backstage, with witnesses recounting how the makeup artist had to rush to refresh her look before she could take the stage.
When she finally stepped onto the stage, her composure was shaky. You could see it in her eyes. As she appeared, a hush fell over the audience; you could hear a pin drop.
Despite her professionalism, the heaviness of her husband’s loss was clear as she announced the winner for Best Picture.
The man she loved had faced yet another loss, and it weighed heavily on her heart.
After-party
In his diary, Burton captures the essence of that magical night:
“Wednesday 8th: We went to the party afterward and sat with George Cukor, the Pecks, and the Chandlers (owners of the LA Times), but we were surrounded by scores of photographers who, to my delight, paid little attention to anyone else, including the winners. Barbra Streisand, who fancies herself a big star, was completely eclipsed.”
A glance at the countless photographs of Taylor from that unforgettable night makes it abundantly clear — she was the undeniable center of attention.
At the after-party, the actress and her husband was surrounded by a constellation of celebrities. Flashbulbs lit up their table like fireworks.
It was as if the paparazzi were also spellbound, struggling to focus on their task as they recognized the sheer magnitude of the moment. No longer were they mere photographers capturing dreams for glossy magazines; they found themselves entranced by the vision before them.
Many would argue that the greatest star of the 20th century shone brightest on that unforgettable night. On her left ring finger glittered yet another extravagant gift from her husband — the stunning 33.19-carat Krupp diamond ring, capturing the essence of her iconic allure.
So how did this magical night end for Taylor and her entourage?
”We got out with a great difficulty because of the hordes of photographers, visiting Gig Young, who won best supporting actor, en route, who was stoned but sweet. Hawn won the supporting actress, also as predicted. We couldn’t find Duke Wayne so came home, [. . .] Later still came Wayne himself also very drunk but, in his foul-mouthed way very affable,” Burton wrote in his diary.
As the curtains fell on the 1970 Oscars, one thing was abundantly clear: Elizabeth Taylor was the undeniable star of the night. She encapsulated everything that was magical about Hollywood in the 1970s: beauty, talent, and an unyielding spirit that transcended the screen.
Reflecting on her charisma and humility, it feels entirely fitting to celebrate her in this way. She was not just a phenomenal actress but a remarkable human being who captured the hearts of many.
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