Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
I Came to Support My Friend After Her Split with a Con Man, Only to End Up in the Same Trap Myself — Story of the Day
When I arrived to support my friend after she split up with a con man, I never imagined I’d be caught in a web of deception myself. Her tears and the details of her betrayal filled me with sympathy, but little did I know this visit would change my life forever.
When I first saw Marcella’s message, the words “horrible betrayal” seemed to leap off the screen. I felt an ache of sympathy as I read on, piecing together the story of her heartbreak.
Marcella was my longtime friend—sharp, perceptive, and cautious. I couldn’t believe someone had managed to fool her so completely. But here it was, spelled out in her shaky writing.
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The man, she wrote, had been a master of deception. He’d seemed sincere, a picture of charm and care, only to shatter her trust and vanish with all her expensive gifts.
“Oh, Marcella,” I muttered to myself, packing my suitcase. I couldn’t let her go through that alone, so I was ready for a long trip to cheer her up.
***
When I arrived, Marcella looked like a ghost of herself. Her hair was messy, her eyes red and tired, as if she hadn’t slept for days.
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“I just… I can’t believe he did this to me,” she said. “How could I be so stupid?”
“You’re not stupid, Marcella,” I said, sitting beside her and wrapping my arm around her shoulders. “He tricked you. Anyone could have fallen for it.”
She shook her head. “He took everything, Rachel. I trusted him, and he stole from me. Gifts, even money… just gone. I never thought I’d fall for someone like that. I never thought…”
“What did the police say?”
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“They just brushed me off,” she sobbed, wiping her cheek. “It feels like the investigation’s already over.”
“Marcella, I’m so sorry.”
After a long pause, she finally let out a heavy sigh and leaned her head against my shoulder.
“I hate to ask, but… could you stay with me for a few days? I have this project due, and I can’t focus. I just… I don’t think I can get it done alone right now.”
“Of course, Marcella,” I replied without hesitation. “Whatever you need.”
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“Thank you, Rachel,” she murmured. “I don’t know what I’d do without you.”
As I agreed to help her, a small part of me wondered if there was more to this story. But I shook the thought away, ready to support my friend.
After all, what are friends for if not to help us when we fall?
***
The next morning, I threw myself into Marcella’s project, letting the work fill my mind. The familiar rhythm of focusing on her tasks reminded me of our university days. Back then, she was the one who always turned in her assignments early, her name at the top of the class list.
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And me? I was the one by her side, offering last-minute help, happily researching while she shone. Those memories gave me a strange comfort.
By evening, I finally looked up, feeling the weight of the day’s work pressing down on me. That’s when Marcella appeared in the doorway, watching me with a half-smile.
“You’ve been at it all day,” she said, crossing her arms. “You should get out and take a break.”
“Maybe I’ll just go to bed early,” I sighed, rubbing my temples.
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“No, I know what you need. Go to that little café on Pine Street. They have the best donuts in town. I remember you could never resist sweets.”
I laughed, feeling my mood lift. “Alright, you got me. I’ll go.”
“Take some money, please,” she added, giving me some cash. “Just take it, please.”
***
Minutes later, I found myself stepping into the cozy café she’d recommended. It smelled like coffee and warm dough. I ordered a coffee and a donut, taking a seat by the window to enjoy a quiet moment.
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But then, I noticed him—a tall man in the corner, looking like he’d been waiting for someone. His intense gaze met mine, and he held it a little longer than I expected.
He had a look of quiet strength with just a hint of mystery. I felt a strange flutter in my chest.
Before I knew it, he came over. He glanced at his watch and gave a small, resigned smile.
“Guess my friend isn’t coming after all. Mind if I join you?”
“Not at all,” I replied, feeling a surprising flutter as he pulled out the chair across from me. “I’m Rachel, by the way.”
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“Vincent,” he said, extending his hand.
“So, do you come here often, or was this… a first-time donut adventure?” I teased, hoping to break the ice.
He laughed. “I come here once in a while. But it’s funny, I’ve never noticed the donuts. They’re really that good?”
“Oh, they’re life-changing,” I replied, lifting my half-eaten donut as proof. “I was having a long day, and honestly, donuts fix almost everything.”
He smiled. “It’s funny—sitting here with you, it’s like I’ve known you for longer than… what’s it been? Five minutes?”
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I felt a warmth spread through me. “Yeah, I feel the same. It’s strange, isn’t it?”
The evening drifted by in a haze of laughter and shared stories, both of us forgetting everything else. Hours felt like minutes, and by the time I finally glanced at my watch, it was nearly closing time.
“Wow,” I said, surprised. “It’s so late. I didn’t even notice.”
“Time flies when you’re with the right company,” he said softly.
When I finally left that night, I couldn’t stop smiling.
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***
During the day, I would dive into Marcella’s project, dedicating hours to get it done. In the evenings, Vincent and I met and walked around, enjoying each other’s company as the city lights flickered on.
Finally, after several days of work, I finished the project. Vincent and I decided to celebrate it with a nice dinner at a cozy restaurant. I felt light, almost giddy, savoring every moment with him.
“So, to us,” Vincent said, raising his glass.
“To us,” I echoed, clinking my glass with his. “And maybe to even more evenings like this?”
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He laughed, nodding. “I’ll drink to that.”
But just as I took a sip, a familiar figure caught my eye. Marcella was striding toward us, her face dark with fury, her eyes fixed on Vincent.
“Marcella?” I managed, unsure of what could happen.
She ignored me as her gaze seared into Vincent.
“How could you?!” she spat, barely containing her anger.
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Then she turned to me, her expression shifting to one of betrayal. “And you, Rachel! You knew, didn’t you? You knew exactly who he was!”
I was stunned, unable to form a response. “Knew… what? Marcella, what are you talking about?”
She let out a bitter laugh. “Oh, don’t play innocent! He’s the con artist, Rachel. The man who took everything from me.
OMG! My Vincent… a con artist? The same man who deceived Marcella?
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I looked at him, searching his face for answers, but he seemed unfazed.
“Marcella, please, calm down,” he said. “You’re letting your anger cloud everything. I told you from the start—you’re creating a version of events that suits your story. You wanted someone to blame.”
She glared at him. “You’re lying. Both of you.”
“Marcella, I didn’t know. I swear,” I said. “I… I would never hurt you.”
But without another word, Marcella stormed out of the restaurant, leaving an icy silence in her wake.
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I turned to Vincent. “Is… is it true? Are you really the one who…”
“Rachel, listen to me,” he said, reaching across the table to take my hand. “Marcella is twisting the truth. Yes, we had a complicated past, but she’s trying to tear us apart.”
His words sounded sincere, but a part of me couldn’t shake the feeling that something was off.
“I don’t know what to believe,” I whispered, pulling my hand away. “Maybe… maybe I need to go talk to Marcella. Clear things up.”
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“If that’s what you need to do. But Rachel, don’t let her ruin this for us.”
With that, I left, the joy of our evening shattered.
***
When I returned to Marcella’s apartment, a feeling of dread settled in my stomach. As I stepped inside, Marcella and two officers were by the door.
“Rachel Parker?” one officer asked.
“Yes… that’s me,” I stammered.
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“We have a search warrant. Ms.Turner reported a theft of valuable jewelry, and we need to search your belongings.”
“Th-theft?” I repeated, my heart pounding.
“Please cooperate, ma’am,” the officer said, firm but polite.
In disbelief, I watched as they went through my suitcase. To my horror, one officer lifted a velvet pouch containing Marcella’s necklace and earrings.
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“That’s impossible,” I whispered. “That’s not mine.”
“Ms. Parker, do you have an explanation?” the other officer asked.
“I swear I didn’t take them.”
Just then, Vincent entered, his expression calm but focused. “Officers, I believe I can clarify. Marcella has been manipulating Rachel.”
Marcella’s eyes widened. “Vincent… what are you talking about?”
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“Marcella has severe financial issues. When I discovered how she was exploiting people, I left. That’s when she began blackmailing me,” he explained. “The night Rachel and I met, I was supposed to meet Marcella, but she set us up.”
I looked at Marcella in shock. “You encouraged me to go to that café. You wanted us to meet.”
Vincent nodded. “She even planted her jewelry in your suitcase to make it look like you stole from her.”
The officers exchanged glances. One spoke up, “Mr. Carter, do you have any proof?”
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Vincent played a recording of Marcella’s threats from his phone. Her voice rang out, cold and unmistakable.
The officer looked at me thoughtfully. “Ms. Parker, it seems there’s a misunderstanding. We’ll need Ms. Turner to come to the station for further questioning.”
Marcella paled, stammering, “You… can’t be serious! I’m the victim here!”
The officer raised a brow. “This recording raises enough questions. We’ll need clarification at the station.”
I took a deep breath. “Actually, officers, I don’t wish to press any charges.”
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Vincent nodded. “We’d rather resolve this quietly.”
The officers looked relieved. “Next time, be cautious about who you trust, Ms. Parker. And work out your issues without any more… soap opera scenes.”
They left, leaving an uncomfortable silence. Marcella looked down, finally murmuring, “Rachel… I’m sorry.”
I sighed. “I don’t know what to say, Marcella. This whole mess didn’t have to happen.”
Vincent placed a few bills on the table. “Marcella, this is for you. Maybe it’ll help you start over.”
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Marcella looked at the money, surprised. “Vincent, I… didn’t expect this.”
He said nothing, just gave me a nod. We stepped out of the apartment, leaving Marcella behind with a small amount of compassion.
As we walked into the cool night, Vincent took my hand, warm and steady.
I looked up at him. “So… what now?”
He smiled, his eyes hinting at mysteries yet to come. “Now, we find out what life looks like without secrets. Together.”
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If you enjoyed this story, read this one: I never thought one Thanksgiving would change everything. But as I pulled into my mother’s driveway, I knew it wasn’t just a holiday meal. My sister kept secrets I hadn’t planned on confronting. And one of them was about to shatter the life I’d built. Read the full story here.
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