Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
Every Day a New Surprise: Mom Discovers Mysterious Baby Toys on Son’s Grave!
A grieving mother who visits her son’s grave almost every day is shocked when she finds baby toys there and learns an unexpected truth about her son’s life.
“A MUSICIAN? Have you lost your mind, Leonard?” Kenneth yelled when his son said he wanted to be a musician.
Leonard was 18 years old, just out of high school, and excited to follow his dreams. But his parents wanted him to be a lawyer, and Leonard did not want that job.
Source: Pexels
He took a gap year after high school because he didn’t want to rush into career choices. During that time, he discovered that music was what he really wanted to do. But when he told his parents he wanted to be a musician, they were not happy.
“But what’s wrong with becoming a musician, Dad?” Leonard complained. “Many people follow their passion and become successful. I want to be one of them! I don’t want a boring desk job!”
“Listen, son,” his father replied. “I’ve made my decision clear, and I don’t want to repeat myself. You are going to be a successful lawyer like your grandfather and me. Is that understood?”
“There’s no way, Dad!” Leonard shot back. “You can’t force me to do something I don’t want to do! I want to follow my passion for music, and that’s what I’ll do!”
“But, honey,” his mother said. “Your father isn’t pressuring you. He just doesn’t want you to waste your time on something uncertain. Many people have big dreams, but only a few succeed. He cares about you and doesn’t want you to suffer.”
“Oh really, Mom?” Leonard snapped. “If he really cared, he would support me!”
“Calm down, Leonard. Remember you are talking to your parents!” his father warned. “If you want to make your own choices, then pay for your own university. If you stay with us, you have to listen and obey. Otherwise, leave!”
“Fine, Dad!” Leonard said. “I’ll prove you wrong one day. I don’t want to be your obligation anyway! I’ll make my own money and my own name!” With that, he walked away to his room.
His mother, Lily, urged him to calm down and talk later, but he was too angry. That evening, he packed his bags and left, vowing never to return.
Lily begged him not to go. She even tried to convince Kenneth to stop their son, but Kenneth was stubborn and refused to change his mind. Leonard was determined to prove his parents wrong, so he left home, cutting off all ties.
Three years went by without any contact between Leonard and his parents. Lily worried about him and called several times, but each call went to voicemail, and Leonard never called back.
One morning, while making breakfast, Lily’s phone rang. She quickly wiped her hands and answered it, but what she heard left her in shock.
It was a call telling her that Leonard had died in a motorcycle accident before reaching the hospital.
Lily broke down, unable to accept that her son was gone. “No way! That can’t be true! My son can’t be dead!” She cried loudly, which brought Kenneth rushing into the living room, stunned to see Lily on the floor, holding her phone and crying.
“Honey, what’s wrong?” Kenneth asked, worried. But Lily couldn’t speak.
Kenneth grabbed the phone from Lily’s hands. “Hello? Who is this?”
“This is Officer Duncan,” the voice on the other end said. “I’m sorry to inform you that your son, Leonard Williams, died this morning in a motorcycle accident. Please come to confirm the body. We found your number in his phone.”
Kenneth couldn’t believe it. “Are you sure it’s our Leonard? This can’t be happening…”
“We found this contact on the victim’s phone. It was listed as ‘Mom.’ You need to come and confirm the body. Thank you,” Officer Duncan said before hanging up.
Kenneth and Lily were heartbroken. They rushed from Chicago to Milwaukee, where the officer said Leonard’s body was, hoping it was all a mistake or a bad dream.
When they arrived at the morgue, they were devastated to see their son’s lifeless body. Lily cried on the floor, and tears streamed down Kenneth’s face.
The next day, Kenneth and Lily organized Leonard’s funeral in Milwaukee. They were too heartbroken to bring him back to their hometown, where their relationship had soured. The loss of their son put a strain on their marriage.
Kenneth became very quiet and drank heavily, blaming himself for being a terrible father. Lily, on the other hand, blamed Kenneth for kicking Leonard out.
In the days that followed, Kenneth couldn’t bring himself to visit Leonard’s grave. He felt guilty and couldn’t face his son. But Lily drove two hours to visit his grave every day.
One day, when she arrived, she saw a small teddy bear at Leonard’s grave. She thought someone must have left it by mistake, so she set it aside, placed her flowers, and sat down to talk to her son for a while.
However, when she returned the next day, the teddy bear was back, along with several other toys.
She was confused and wondered if someone was intentionally leaving them. She asked the caretaker if he knew anything, but he didn’t.
As she arrived at the cemetery, she noticed a young woman standing by Leonard’s grave, holding a baby. The woman’s eyes were closed as if she was praying. After a few minutes, she placed a toy near the grave and walked away.
Lily was curious and decided to approach her. “Excuse me,” she said. “Do you know my son? I saw you placing a toy at his grave. Have you been doing this for days?”
The woman looked surprised. “Are you Lily Williams? Leonard’s mother?”
“You know me?” Lily asked, wide-eyed.
“Yes, Mrs. Williams,” the woman said, tears welling up. “I’m Carrie. I’m Leonard’s girlfriend. And this baby is Henry, our son.”
Lily was shocked to see the baby, who looked just like Leonard! “But Leonard never…”
“I never imagined we would meet like this, Mrs. Williams,” Carrie said, struggling to hold back tears. “Leonard missed you a lot. He wanted to reconnect with you, but…” Carrie couldn’t continue as she started crying.
Lily comforted her, and they walked to a nearby park. Sitting down, Carrie shared the whole story.
Leonard had met Carrie while pursuing his music dreams. Due to a lack of money, he worked as a part-time waiter at a diner, where he met Carrie.
They moved in together, and more than a year later, Carrie got pregnant. Leonard was overjoyed! He wrote a song for their baby, which got attention even though it wasn’t a big hit.
That inspired him to pursue his music career more seriously, and he began reaching out to producers. But then tragedy struck when he was in an accident.
On that very morning, Carrie had gone to the hospital for labor pains. A neighbor had called for an ambulance for her, and she had no idea Leonard had been in an accident. She was unconscious for a few days after giving birth, and when she woke up, she learned Leonard had died.
Carrie couldn’t stop crying and began visiting his grave almost daily, leaving the toys that Leonard had bought for their child.
“I didn’t know what to do when I found out he was gone,” Carrie said. “The police tracked my address through Leonard’s driver’s license, and that’s how I found out. They said you and Mr. Williams planned the funeral in Milwaukee. I called the cemeteries until I discovered Leonard was here.
“I wanted to meet you but didn’t know how. Leonard loved you and promised that when he became famous, he would call you and his father so we could all be a family. But sadly, that didn’t happen.”
Lily couldn’t hold back her tears. She had lost her son and didn’t want to lose her grandson too. So she invited Carrie and Henry to move in with her, insisting they were part of her family.
Carrie hesitated at first but eventually agreed when Lily insisted.
That fateful day changed Lily and Kenneth’s lives for the better. Kenneth became a loving grandfather to Henry, and caring for the little boy helped Lily become more patient and understanding, improving their relationship.
Carrie felt lucky to have met Lily and Kenneth, who were wonderful grandparents to Henry. They even helped her get Leonard’s song published by a well-known label.
Henry, now five, is proud of his father’s music career and wants to follow in Leonard’s footsteps, with Lily and Kenneth fully supporting him.
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