Even the most elaborate look can be spoiled by a bad hairstyle which can easily make you look 10 years older, distort your facial features or even your body. We’ve put together 10 hairstyles that are worth avoiding.
Contrasting coloring
Contrast coloring is considered outdated. Nowadays, more natural and soft transitions are in vogue. Smooth and barely noticeable accents on individual strands look much more refined and sophisticated, adding freshness to your look and volume to your hair.
Blunt bob with baby bangs
Recently, some celebrities returned to a controversial trend from the 1990s and got very short bangs. However, stylists believe that women after 40 should avoid baby bangs because these can make them look older.
Straight bangs that reach eyebrows
Many people believe that these bangs help you visually correct the height of the forehead and make the face more symmetrical. But it can play a bad joke on your appearance — it can visually age a person and steal hair volume.
Complicated braids
We are used to seeing Rosamund Pike with short, straight hair. But recently, the actress appeared in public with a slightly longer hairstyle. But it doesn’t always look up-to-date, like these braids, for example.
Currently, complicated braids are giving way to simpler hairstyles. The more natural and careless hairstyle with braids is better.
Unnatural hair coloring
Hilary Duff decided to make drastic changes in her looks after the divorce from her first husband, and we can understand that. But bright, unnatural colors, like blue, green, or pink, are becoming less and less popular. More muted shades that emphasize individuality without being too extravagant are in fashion now.
Middle-parted, chin-length bobm
Hair stylists believe that this bob often emphasizes fine lines, wrinkles and signs of thinning hair on mature women. It’s best to opt for a bob with a side parting or a pixie cut.
Bob with blunt bangs
Experts believe that this haircut can visually add age. The length of the bangs is key here. If it covers the eyebrows, it highlights signs of aging. In addition, the jaw seems more massive than it really is.
Shaved sides
Haircuts with shaved sides were at the peak of popularity 15 years ago, but now they are losing their positions. Many people believe that this type of haircut distorts the appearance.
But Tilda Swinton just loves short haircuts and has stayed loyal to them for many years. Let’s look at the photos above: in the left photo, the actress’s sides look too short, while in the right photo, the hair softly frames her face.Thick side-swept bangs
Thick side-swept bangs
These bangs tend to distort facial features because they can easily cover one eye. In addition, they draw attention to skin imperfections.
Mallet
The mallet hairstyle can be roughly described as «shorter in the front, longer in the back.» Modern fashion trends tend to favor more harmonious and versatile haircuts that can be easily adapted to different looks.
And here are hairstyle tips that can help you enhance your facial features.
Preview photo credit Invision/Invision/East News, zz/Pluto/STAR MAX/IPx/Associated Press/East News, Vianney Le Caer/Invision/East News
I Opened a Mysterious Door in My Cellar—Now I Regret Everything
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
In the back corner, we found something even stranger: an old wooden chest, covered in dust and cobwebs. It was locked, but the lock seemed weak, like it could easily break. Florence begged me to leave it alone, but I was too curious. I forced it open, and what I saw made my heart race.
Inside were old documents, letters written in a language I didn’t understand, and something wrapped in a faded cloth. When I unwrapped it, I froze. It was a small, strange object that didn’t belong in this world. Florence screamed and ran out of the cellar, terrified.
I should have followed her, but I was too deep into it. I put everything back in the chest and closed the door, but the feeling that something had changed wouldn’t leave me. Since that day, things have been different. Strange noises, cold drafts, and shadows moving where they shouldn’t.
Now, I regret opening that door. Florence refuses to go back into the cellar, and I can’t sleep at night. I don’t know what we uncovered, but I fear we’ve let something into our home that we can’t control. Every day, I wish I had just left the door hidden behind the wallpaper, where it belonged.
Now, the cellar remains locked. I’ve sealed the door with heavy boards, hoping that will keep whatever we disturbed at bay. Florence refuses to go near it, and our once happy home feels suffocating with the tension between us. It’s like the house itself has changed, like it’s watching us.
At night, I hear whispers coming from the floor below. I try to convince myself it’s just the wind or my imagination, but deep down, I know something’s wrong. The object I found in the chest haunts my thoughts—I’ve hidden it away, but it’s like it calls to me. Florence says I need to get rid of it, but I’m too afraid to touch it again.
I tried contacting the previous owners, but they didn’t know anything about the hidden room. They had lived here briefly before selling the house. No one in the neighborhood seems to know its history, and records of the house are vague. It’s like this part of the house was meant to stay forgotten.
I keep telling myself everything will be fine if I just leave it alone, but the strange occurrences are getting worse. Lights flicker, doors creak open on their own, and sometimes, I catch glimpses of something moving in the dark corners. It feels like the house is alive—angry that we disturbed its secret.
Florence is talking about moving, and maybe she’s right. But part of me knows that whatever we let out, whatever we disturbed, might not stay behind. And now, I wonder if sealing that door was just the beginning of something far more terrifying.
I never should have opened that door.
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